## Abstract Implicit theories of creativity have been the subject of increased research interest in recent years. These investigations are motivated by the observation that an individual's creative activities are guided by personal definitions rather than professional theories, which may be very di
Personal Explicit Theories of Creativity
✍ Scribed by MARK A. RUNCO; JILL NEMIRO; HERBERT J. WALBERG
- Publisher
- Creative Education Foundation
- Year
- 1998
- Tongue
- English
- Weight
- 785 KB
- Volume
- 32
- Category
- Article
- ISSN
- 0022-0175
No coin nor oath required. For personal study only.
✦ Synopsis
In this investigqtion 143 creativity researchers c o m p l e t e d a s u r v e y to r a t e t h e i m p o r t a n c e o f v a r i o u s t r a i t s a n d developmental influences on creative achievement. They also rated the importance o f various topics for future research. Sixteen composite variables were formed f r o m the traits and d e v e l o p m e n t a l f a c t o r s . B e h a v i o r s in t h e M o t i v a t i o n a l C o m p o s i t e were rated as m o s t i m p o r t a n t for recognized creative achievement, followed b y P r o b l e m Finding a n d Questioning Skills, and traits reflecting Adaptive Cognition. The ratings o f the Developmental survey items suggested that Education and Learning were m o s t important for achievement, followed by Cultural a n d Social factors, a n d then Family a n d E a r l y B a c k g r o u n d . T h e t o p five r a n k e d t o p i c s for future research included actual creative .behavior, motivation a n d drive, imagery, imagination, a n d creative products. G r o u p differences were explored, b u t few differences were found in comparisons o f ratings f r o m researchers w h o had experience teaching creativity courses a n d those w h o h a d published a b o o k or article, a n d those w h o h a d not.
Similarly, only slight group differences were found for ratings o f important research topics. Differences in self-reported creative interests (i.e., writing a n d m u s i c ) were r e l a t e d to selected r a t i n g s of c r e a t i v e achievement variables a n d i m p o r t a n t research topics. In general, the results suggested that researchers believe creativity to b e a complex or syndrome which draws from cognitive, affective, social, a n d perhaps even physical realms. T h e lack o f g r o u p differences implies a homogeneity of opinion a n d c o n s e n s u s w i t h r e s p e c t t o t h e i m p o r t a n c e of t r a i t s , developmental factors, and research topics.
📜 SIMILAR VOLUMES
In this article, the authors present an approach to developing creativity through meaningful learning relationships that involve art, literature, dialogue, and experience. They present a model of creative teaching, Person‐to‐Person Learning, that includes a 3‐stage process: (a) constructing the crea
Gough's Creative Personality Scale (CPS) is a self‐report personality inventory for creativity assessment. We investigated the undimensionality and the response process on the CPS from an ideal point (unfolding) perspective. The Graded Unfolding Model (GUM) was used to model binary responses and par
This study examined the independent and joint effects of expected developmental assessment strategies (self‐administered, other‐administered, and no assessment) and creative personality on individuals' creative performance. Data were collected from 68 participants who performed a role‐playing task i
We examined the possibility that teams composed primarily of individuals with personality characteristics conducive to team creativity (e.g., high extraversion, high openness to experience, low conscientiousness, high neuroticism, low agree‐ableness) would show synergistic increases in creativity wh