Antonioβs Devils deals both historically and theoretically with the origins of modern Hebrew and Yiddish literature by tracing the progress of a few remarkable writers who, for various reasons and in various ways, cited Scripture for their own purpose, as Antonioβs Βdevil,β Shylock, does in The Merc
Antonioβs Devils: Writers of the Jewish Enlightenment and the Birth of Modern Hebrew and Yiddish Literature
β Scribed by Jeremy Asher Dauber
- Publisher
- Stanford University Press
- Year
- 2004
- Tongue
- English
- Leaves
- 360
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Antonio's Devils deals both historically and theoretically with the origins of modern Hebrew and Yiddish literature by tracing the progress of a few remarkable writers who, for various reasons and in various ways, cited Scripture for their own purpose, as Antonio's "devil," Shylock, does in The Merchant of Venice. By examining the work of key figures in the early history of Jewish literature through the prism of their allusions to classical Jewish texts, the book focuses attention on the magnificent and highly complex strategies the maskilim employed to achieve their polemical and ideological goals. Dauber uses this methodology to examine foundational texts by some of the Jewish Enlightenment's most interesting and important authors, reaching new and often surprising conclusions.
π SIMILAR VOLUMES
At the beginning of the twentieth century, ambitious young writers flocked from<br />Jewish towns and villages to cultural centers like Warsaw, Odessa, and Vilna<br />to seek their fortunes. These writers, typically proficient in both Hebrew and<br />Yiddish, gathered in literary salons and cafΓ©s to
To what extent do Yiddish language and literature reflect dominant values of mainstream European culture? How far did this culture shape the self-perception of Yiddish-speaking European Jews? How did the hostile attitude adopted towards Jews over many centuries in Christian Europe shape modern Jewis
The Yeshiva and the Rise of Modern Hebrew Literature argues that the institution of the yeshiva and its ideals of Jewish textual study played a seminal role in the resurgence of Hebrew literature in modern times. Departing from the conventional interpretation of the origins of Hebrew literature in s
<p><span>The Sin of Writing and the Rise of Modern Hebrew Literature</span><span> contends that the processes of enlightenment, modernization, and secularization in nineteenth-century Eastern European Jewish society were marked not by a reading revolution but rather by a writing revolution, that is,