There was a time when good writing would be defined simply by adverting to a few literary classics. That kind of strategy is less helpful these days, when so many different styles and voices clamor for attention. <em>What Is Good Writing?</em> sets the terms for a contemporary debate on writing achi
What is good writing?
โ Scribed by University, The Open
- Publisher
- The Open University
- Year
- 2016
- Tongue
- English
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
"What Is What Was, Richard Stern's fifth 'orderly miscellany,' is the first to meaningfully combine his fiction and nonfiction. Stories, such as the already well-known 'My Ex, the Moral Philosopher,' appear among portraits (of the sort Hugh Kenner praised as 'almost the invention of a new genre'): Auden, Pound, Ellison, Terkel, W. C. Fields, Bertrand Russell, Walter Benjamin (in both essay and story), Jung and Freud, Hannah Arendt and Martin Heidegger. In the book's seven sections are analyses of the Wimbledon tennis tournament as an Anglification machine, of Silicon Valley at its shaky peak, of James and Dante as travel writers, a Lucretian look at today's cosmology, American fiction in detail and depth, a 'thought experiment' for Clarence Thomas, a salvation scheme for Ross Perot, a semi-confession of the writer. The book contains but isn't philosophy, criticism, opinion, reportage, or autobiography (although the author says it is as much of this as he plans to write). There is a recurrent theme, the ways in which actuality is made and remade in description, argument and narration, fictional and nonfictional, but above all, What Is What Was is a provocative entertainment by a writer who, as Philip Roth once said, 'knows as much as anyone writing American prose about family mischief, intellectual shenanigans, love blunders--and about writing American prose.'"--Publisher.
โฆ Table of Contents
With Auden --
Remembering Pound --
Ralph Ellison --
Studs : WFMT, April 7, 1995 --
A Very Few Memories of Don Justice --
The Venetian Sculptress --
Ray West and the Iowa Writers' Workshop --
My Ex, the Moral Philosopher --
Where the Chips Fall --
Wimbledon, 1992 --
James, the Traveler --
Going and Coming : On Celati's Adventures in Africa --
An Indiana Library --
My Chicago --
The Chicago Writer's City --
Books and Chicago, Chicago and Books --
A Glance at Bellow in Chicago, 1993 --
Chicago, in the Depths of Feeling --
Over the Hill --
On Atlas on Bellow --
Bertrand Russell --
Misunderstanding Carnap --
W.C. Fields --
Hannah Arendt and Martin Heidegger --
Jung --
The Outsider Inside --
Benjamin's Way --
Almonds --
Warriors of the Open, 1996 --
Tears, Idle Tears, I Now Know What They Mean --
King of a Rainy Country --
Logging Expiation --
Montaigne in Illinois --
Ozick on Kafka, Frank, and Ozick --
Jane Jacobs's Ideas --
Our Regenstein --
Chipping at the Schools --
From Van Meegeren to Van Blederen --
Dark Energy, Dark Matter, and the Waves of Genesis --
Eliminating the National Debt --
His Good Name --
Letter to the Editor, New York Times --
To Go with an Old Necklace --
Statement for the Meeting of the University of Chicago Senate on April 29, 1986 --
A Few Words from Someone Who's Written a Few Too Many --
A Few Things American Fiction Says --
Malamud's Stories --
His Other Life --
Austin Wright --
Vidal in Conclusion --
Updike's Brushstroke --
Fictionally De-Cubaed --
Rupert Thompson --
Call It Recall --
Killing Chic --
For John Wallace --
The Ones Who Do Things for Us / Alane Rollings --
Edward Levi --
Arthur Heiserman --
Imre Horner --
Misremembering Montale --
Words about Hugh --
For Ernest Sirluck --
For Leon Forrest --
An Old Writer Looks at Himself --
Monologue.
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