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Valuing Interdisciplinary Collaborative Research: Beyond Impact

✍ Scribed by Keri Facer (editor); Kate Pahl (editor)


Publisher
Policy Press
Year
2017
Tongue
English
Leaves
270
Category
Library

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✦ Synopsis


Universities are increasingly being asked to take an active role as research collaborators with citizens, public bodies, and community organisations, which, it is claimed, makes them more accountable, creates better research outcomes, and enhances the knowledge base. Yet many of these research collaborators, as well as their funders and institutions, have not yet developed the methods to ‘account for’ collaborative research, or to help collaborators in challenging their assumptions about the quality of this work. This book, part of the Connected Communities series, highlights the benefits of universities collaborating with outside bodies on research and addresses the key challenge of articulating the value of collaborative research in the arts, humanities and social sciences. Edited by two well respected academics, it includes voices and perspectives from researchers and practitioners in a wide range of disciplines. Together, they explore tensions in the evaluation and assessment of research in general, and the debates generated by collaborative research between universities and communities to enable greater understanding of collaborative research, and to provide a much-needed account of key theorists in the field of interdisciplinary collaborative research.

✦ Table of Contents


VALUING INTERDISCIPLINARY COLLABORATIVE RESEARCH
Contents
List of figures, images and tables
Figures
Images
Tables
Notes on contributors
Acknowledgements
Introduction
What is at stake when we value collaborative research?
Collaborative research, its many traditions and legacies
The Connected Communities programme
Understanding the value of collaborative research through the Connected Communities programme
Outline of the book
SECTION 1. Understanding legacy in practice
1. Weighing value: who decides what counts?
Introduction
Whose value are we talking about and who decides?
Can the value of CUPs be evidenced?
How might that value be evidenced?
When to sustain or not sustain CUPs?
Is a CUP the best way?
Principles of good CUP working that lead to value
Conclusion
2. Evaluating legacy: the who, what, why, when and where of evaluation for community research
Introduction
The ‘problem’ with evaluation
What we did
What we found out and how
How useful were the evaluations?
Evaluation as a developmental and embedded practice
Conclusion: research, evaluation and the university in the community
3. Implicit values: uncounted legacies
Introduction
Theorising values and intangible legacies
What we did
Evaluating and identifying legacies: through a values lens
Insights from values to legacies in collaborative and interdisciplinary work
Conclusion
4. Socialising heritage/socialising legacy
Introduction
Co-designing the research: thinking and acting systemically
The two socials of heritage
Socialising ‘stewardship’ and ‘scale’
Socialising ‘expert’ and ‘voice (+ not being heard)’
Socialising ‘significance’
Socialising ‘the future’
Legacies of heritage decisions: interacting ‘socials’
5. Performing the legacy of animative and iterative approaches to co-producing knowledge
Introduction
Making sense of collaboration: five theoretical lenses
Projects in focus and their methods: cultural animation and iteration
Artefacts co-produced in these projects
Co-evaluating legacy: methodological insights
Legacy-as-performance
Legacy as the reproduction and transformation of a theatre tradition
Legacy as change in ideas or practices (or both)
Legacy as empowerment of individuals and groups
Legacy as a growing network
Legacy as novelty and change within repetition
Conclusions
6. What is the role of artists in interdisciplinary collaborative projects with universities and communities?
Introduction
Artists working on interdisciplinary collaborative projects: a short history
Our methodologies
Emerging findings: what did artists change?
Conclusion
7. Material legacies: shaping things and places through heritage
Introduction: why do materials matter?
Exploring the material legacies of heritage research
Synthesis: the legacies of materials and material legacies
Conclusion: the politics of materials in collaborative research
8. Translation across borders: connecting the academic and policy communities
Introduction
Approaching legacy: from ‘impact’ to ‘translation’
Studying legacy
The ‘policy brief’ projects and their legacies
Co-producing policy-relevant research – some final thoughts
9. Culturally mapping legacies of collaborative heritage projects
Introduction
How to tell the story: inherent tensions
Co-production: a novel group of storytellers
The impact of combining mapping and storytelling for heritage research
Benefits and obstacles in cultural mapping
The need for qualitative conversations in exploring legacies
Visualising legacies: heritage DIY mapping toolkit
Guidance for understanding legacy
Section 2. Understanding collaborative research practices: a lexicon
A lexicon for making sense of collaborative, interdisciplinary research
Theoretical and methodological resources for working with the lexicon
Conclusion
Section 3. Future directions
A changing context
Working productively with the dialectic of projects and processes
Understanding legacy as a dynamic process
What does this mean practically?
Conclusion
Index


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