<span>Charting new routes for film ethics, </span><span>Transformational Ethics of Film</span><span> develops a critical account of the ethics of personal transformation at work within the film as philosophy debate.</span>
Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate
β Scribed by Martin P. Rossouw
- Publisher
- Brill
- Year
- 2021
- Tongue
- English
- Leaves
- 329
- Series
- Value Inquiry Book Series
- Edition
- 365
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
What is βthe goodβ of the film experience? And how does the budding field of βfilm as philosophyβ answer this question? Charting new routes for film ethics, Martin P. Rossouw develops a critical account of the transformational ethics at work within the βfilm as philosophyβ debate. Whenever philosophers claim that films can do philosophy, they also persistently put forward edifying practical effects β potential transformations of thought and experience β as the benefit of viewing such films. Through rigorous appraisals of key arguments, and with reference to the cinema of Terrence Malick, Rossouw pieces together the idea of an inner makeover through cinema β a cinemakeover β which casts a distinct vision of film spectatorship as a practice of self-transformation.
β¦ Table of Contents
Preface
Introduction
Pages: 1β18
Chapter 1 βGoing Metaβ on Film as Philosophy: Opening Up the Field
Pages: 19β60
Chapter 2 When Philosophers Join Fight Club: A Framework for Transformational Ethics of Film
Pages: 61β109
Chapter 3 Slogans for Self-Transformation:How Films Are Thought to Do More Than βThinkβ
Pages: 110β206
Chapter 4 Thereβs Something about Malick: From Contemplative Style to Ethics of Transformation
Pages: 207β246
Chapter 5 Concluding Thoughts: On Detective Work and Wearing Different Hats
Pages: 247β262
Bibliography
Index
π SIMILAR VOLUMES
Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken
Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken
A critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. >
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