β Scribed by Robert Sinnerbrink
No coin nor oath required. For personal study only.
A critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. >
Preface......Page 9
Introduction: Why Did Philosophy Go to the Movies?......Page 12
Part I: The Analytic-Cognitivist Turn......Page 22
The Empire Strikes Back: Critiques of βGrand Theoryβ......Page 24
The Rules of the Game: New Ontologies of Film......Page 39
Adaptation: Philosophical Approaches to Narrative......Page 56
PART II: From Cognitivism to Film-Philosophy......Page 76
A.I.: Cognitivism Goes to the Movies......Page 78
Bande Γ part: Deleuze and Cavell as Film-Philosophers......Page 101
Scenes From a Marriage: On the Idea of Film as Philosophy......Page 128
PART III: Cinematic Thinking......Page 148
Hollywood in Trouble: David Lynchβs INLAND EMPIRE......Page 152
βChaos Reignsβ: Anti-Cognitivism in Lars von Trierβs Antichrist......Page 168
Song of the Earth: Cinematic Romanticism in Terrence Malickβs The New World......Page 188
Coda: βThe Six Most Beautiful Minutes in the History of Cinemaβ......Page 205
Notes......Page 208
Appendix: further reading, Filmographies, Websites......Page 219
Bibliography......Page 231
Filmography......Page 244
Index......Page 250
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