This new study offers an original approach to Hardy's art as a novelist and entirely new readings of certain musical scenes in Hardy's works. Asquith utilizes original archival research (both scientific and musicological), which will be of use to all Hardy scholars, and discusses a range of Hardy's
Thomas Hardy, Metaphysics and Music
โ Scribed by Mark Asquith (auth.)
- Publisher
- Palgrave Macmillan UK
- Year
- 2005
- Tongue
- English
- Leaves
- 241
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Table of Contents
Front Matter....Pages i-ix
Introduction....Pages 1-17
The Road to Norcombe Hill: Hardyโs Musical Evolution....Pages 18-31
โSilent Workings of the Invisible Handโ: Hardyโs Metaphysical Evolution....Pages 32-46
The Spiderโs Web: Metaphysics into Music Drama....Pages 47-77
The Plucked Harp String: Desire, Courtship Ritual and the Debate Concerning Speech Theory....Pages 78-103
A Tale of โTragical Possibilitiesโ: Music and the Birth of Consciousness in The Return of the Native ....Pages 104-122
โA Tragedy Appropriate for Its Timeโ: Music and the Story of a โMan of Characterโ....Pages 123-146
โAll Creation Groaningโ: A Deaf Ear to Music in Jude the Obscure ....Pages 147-164
Conclusion....Pages 165-168
Back Matter....Pages 169-234
โฆ Subjects
British and Irish Literature;Music;Fiction;Nineteenth-Century Literature;Metaphysics
๐ SIMILAR VOLUMES
Thomas Hardy and Animals examines the human and nonhuman animals who walk and crawl and fly across and around the pages of Hardy's novels. Animals abound in his writings, yet little scholarly attention has been paid to them so far. This book fills this gap in Hardy studies, bringing an important aut
This book addresses the questions 'What did Thomas Hardy think about history and how did this enter into his writings?' Scholars have sought answers in 'revolutionary', 'gender', 'postcolonial' and 'millennial' criticism, but these are found to be unsatisfactory. Fred Reid is a historian who seeks a