๐”– Scriptorium
โœฆ   LIBER   โœฆ

๐Ÿ“

Thomas Hardy and Animals

โœ Scribed by Anna West


Publisher
Cambridge University Press
Year
2017
Tongue
English
Leaves
222
Category
Library

โฌ‡  Acquire This Volume

No coin nor oath required. For personal study only.

โœฆ Synopsis


Thomas Hardy and Animals examines the human and nonhuman animals who walk and crawl and fly across and around the pages of Hardy's novels. Animals abound in his writings, yet little scholarly attention has been paid to them so far. This book fills this gap in Hardy studies, bringing an important author within range of a new and developing area of critical inquiry. It considers the way Hardy's representations of animals challenged ideas of human-animal boundaries debated by the Victorian scientific and philosophical communities. In moments of encounter between humans and animals, Hardy questions boundaries based on ideas of moral sense or moral agency, language and reason, the possession of a face, and the capacity to suffer and perceive pain. Through an emphasis on embodied encounters, his writings call for an extension of empathy to others, human or nonhuman. In this accessible book Anna West offers a new approach to Hardy criticism.

Review
'... an important and welcome contribution to Hardy scholarship. ... West's volume serves as a good beginning point ... on this compelling and complex subject. ... Summing Up: Recommended. Lower-division undergraduates through faculty.' R. D. Morrison, CHOICE

Book Description
Adding to the critical dialogue on animals in literary criticism, Victorian studies and animal studies, this accessible work will also appeal to scholars of science and posthumanism. Bringing an important author within range of a new and developing area of critical inquiry, Anna West offers a new approach to Hardy criticism.

โœฆ Table of Contents


Cover
Half-title
Title page
Copyright information
Table of contents
Acknowledgments
List of abbreviations
Introduction
Chapter 1 What Does It Mean to Be a Creature?
Constructing Creature
Inanimate Creatures
Animal Creatures
Human Creatures
Chapter 2 โ€œThe Only Things We Believe in Are the Sheep and the Dogsโ€
Dogs: Moral Agency and Moral Sense in Animals
Sheep: Moral Responsibility to Animals
Chapter 3 โ€œArtfulโ€ Creatures, Part I: Animal Language
Animal Language
Chapter 4 โ€œArtfulโ€ Creatures, Part II: Can a Snake Have a Face?
Chapter 5 โ€œArtfulโ€ Creatures, Part III: โ€œCan They Suffer?โ€
Chapter 6 Useful Creatures: Rethinking Hardyโ€™s Humanitarianism
โ€œIf All Had Their Rightsโ€
โ€œThat Vivisection Questionโ€
โ€œNever Another Pet for Me!โ€
โ€œSingle Acts on a Small Scaleโ€
Appendix
Bibliography
Texts by Thomas Hardy
Secondary Texts
Index

โœฆ Subjects


Nature, Literary Criticism, European, Classics, Fiction, Animal Rights, English; Irish; Scottish; Welsh


๐Ÿ“œ SIMILAR VOLUMES


Thomas Hardy and History
โœ Fred Reid, Thomas Hardy ๐Ÿ“‚ Library ๐Ÿ“… 2017 ๐Ÿ› Palgrave Macmillan ๐ŸŒ English

This book addresses the questions 'What did Thomas Hardy think about history and how did this enter into his writings?' Scholars have sought answers in 'revolutionary', 'gender', 'postcolonial' and 'millennial' criticism, but these are found to be unsatisfactory. Fred Reid is a historian who seeks a

Thomas Hardy: Texts and Contexts
โœ Phillip Mallett ๐Ÿ“‚ Library ๐Ÿ“… 2003 ๐ŸŒ English

In Thomas Hardy: Texts and Contexts distinguished critics from Canada, Japan, the US, and the UK, offer fresh and challenging readings of Hardy's works. They also raise far wider and far-reaching questions about Hardy's attitude to his art, his relation to such contemporary forms as melodrama, and h

Thomas Hardy, Metaphysics and Music
โœ Mark Asquith ๐Ÿ“‚ Library ๐Ÿ“… 2005 ๐ŸŒ English

This new study offers an original approach to Hardy's art as a novelist and entirely new readings of certain musical scenes in Hardy's works. Asquith utilizes original archival research (both scientific and musicological), which will be of use to all Hardy scholars, and discusses a range of Hardy's

Thomas Hardy- Texts and Contexts
๐Ÿ“‚ Fiction ๐Ÿ“… 2003

In Thomas Hardy: Texts and Contexts distinguished critics from Canada, Japan, the US, and the UK, offer fresh and challenging readings of Hardy's works. They also raise far wider and far-reaching questions about Hardy's attitude to his art, his relation to such contemporary forms as melodrama, and h