Theatres of feeling: affect, performance, and the eighteenth-century stage
✍ Scribed by Marsden, Jean I
- Publisher
- Cambridge university press
- Year
- 2019
- Tongue
- English
- Leaves
- 238
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
Divine sympathy : theatre, connection, and virtue -- Dangerous pleasures : theatregoing in the eighteenth century -- Roman fathers and Grecian daughters : tragedy and the nation -- Performing the West Indies : comedy, feeling, and British identity -- The moral muse : comedy and social engineering
✦ Table of Contents
Divine sympathy : theatre, connection, and virtue --
Dangerous pleasures : theatregoing in the eighteenth century --
Roman fathers and Grecian daughters : tragedy and the nation --
Performing the West Indies : comedy, feeling, and British identity --
The moral muse : comedy and social engineering
✦ Subjects
18e siècle;Emotions;Émotions;Émotions--Dans la littérature;Emotions in literature;English drama;English drama--18th century--History and criticism;Psychologie;Publics;Theater audiences--Psychology;Theater--Psychological aspects;Théâtre (genre littéraire) anglais;Théâtre (genre littéraire), anglais--18e siècle--Thèmes, motifs;Théâtre--Publics--Psychologie;Criticism, interpretation, etc;English drama -- 18th century -- History and criticism;Theater -- Psychological aspects;Theater audiences -- Psy
📜 SIMILAR VOLUMES
<p><span>This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomou
Performing Magic on the Western Stage examines magic as a performing art and meaningful social practice. The essays in this interdisciplinary collection analyze the work of numerous western theatrical conjurers and several non-western magical performances in their historical context. Throughout, the
Historians of British theater have often noted that the eighteenth century was an age not of the author but of the actor. In Rival Queens, Felicity Nussbaum argues that the period might more accurately be seen as the age of women in the theater, and more particularly as the age of the actress. Hi