<span>In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with th
Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater
โ Scribed by Felicity Nussbaum
- Publisher
- University of Pennsylvania Press
- Year
- 2010
- Tongue
- English
- Leaves
- 391
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Historians of British theater have often noted that the eighteenth century was an age not of the author but of the actor. In Rival Queens, Felicity Nussbaum argues that the period might more accurately be seen as the age of women in the theater, and more particularly as the age of the actress.
Historians of British theater have often noted that the eighteenth century was an age not of the author but of the actor. In Rival Queens, Felicity Nussbaum argues that the period might more accurately be seen as the age of women in the theater, and more particularly as the age of the actress.
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<p>Historians of British theater have often noted that the eighteenth century was an age not of the author but of the actor. In <i>Rival Queens</i>, Felicity Nussbaum argues that the period might more accurately be seen as the age of women in the theater, and more particularly as the age of the actr
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