The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the invading Crusaders in Syria-Palestine during the first century of their quest to recapture and control the holy sites of Jerusalem, Bethlehem, and Nazareth. Commissioned by kings and queens, patri
The Art of the Crusaders in the Holy Land, 1098-1187
โ Scribed by Jaroslav Folda
- Publisher
- Cambridge University Press
- Year
- 1995
- Tongue
- English
- Leaves
- 747
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the Crusaders in Syria-Palestine during the first century of their quest to recapture Jerusalem. Commissioned by kings and queens, patriarchs and bishops, knights and merchants, who came as pilgrims or settlers to the Holy Land, it is an art of manuscript illumination, fresco painting, mosaics, stone sculpture, metalwork, ivory carving, coins and seals by artists trained in the Latin West, and the Byzantine and Islamic East. Combining the stylistic and iconographic traditions of these regions, Crusader art defies easy categorization: indeed, it is a unique phenomenon within the spectrum of medieval art.
๐ SIMILAR VOLUMES
The Crusades began as expeditions called by the Pope to regain the Holy Land and liberate oppressed Christians living there. One of the least known aspects of the Crusades is the art that was commissioned by Crusaders in the Holy Land from the time they took Jerusalem in July 1099 to their defeat by
For much of the twelfth century the ideals and activities of crusaders were often described in language more normally associated with a monastic rather than a military vocation; like those who took religious vows, crusaders were repeatedly depicted as being driven by a desire to imitate Christ and t
This book tells the story of the Architecture and the Figural Art produced for the Crusaders after the battle of Hattin and the fall of Jerusalem in 1187, during the one hundred years that Acre was the capital of the Latin Kingdom of Jerusalem, 1191โ1291. It is an art sponsored by kings and queens,
The Crusaders that landed in the Middle East in the late-11th century brought with them their own traditions of military architecture, but it was not long before their defensive construction began to reflect a broad array of local influences. Most early Crusader structures were relatively small, and