The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the invading Crusaders in Syria-Palestine during the first century of their quest to recapture and control the holy sites of Jerusalem, Bethlehem, and Nazareth. Commissioned by kings and queens, patri
Crusader Art: The Art of the Crusaders in the Holy Land, 1099-1291
โ Scribed by Jaroslav Folda
- Publisher
- Lund Humphries
- Year
- 2008
- Tongue
- English
- Leaves
- 184
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
The Crusades began as expeditions called by the Pope to regain the Holy Land and liberate oppressed Christians living there. One of the least known aspects of the Crusades is the art that was commissioned by Crusaders in the Holy Land from the time they took Jerusalem in July 1099 to their defeat by the Mamluks in 1291. This book focuses on the full range of Crusader painting (manuscript illumination, frescos, mosaics, and icon painting) to tell the fascinating story of the development of Crusader art. Jaroslav Folda, a leading expert in the field, identifies Crusader art as a remarkable Near Eastern phenomenon made by Crusader artists resident and trained in the East. Explaining the major artistic trends that emerged from the Greek East and the Latin West, the author suggests that Crusader art played a significant role in transmitting the Byzantinizing tradition of the maniera greca to Italy and Europe up until the end of the 13th century.This assertion leads to the important conclusion that Crusader art had an influence on artistic developments leading up to the early stages of the Italian Renaissance. "Crusader Art" is the first book to illustrate a wide range of important works of Crusader art in color, including surviving architectural examples, works of sculpture, mosaics, frescoes,manuscripts, icons, ivory carvings, metalwork, and coins. It will be essential reading for scholars, students, travelers to the Near East, and enthusiasts alike.
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The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the Crusaders in Syria-Palestine during the first century of their quest to recapture Jerusalem. Commissioned by kings and queens, patriarchs and bishops, knights and merchants, who came as pilgrims o
This book tells the story of the Architecture and the Figural Art produced for the Crusaders after the battle of Hattin and the fall of Jerusalem in 1187, during the one hundred years that Acre was the capital of the Latin Kingdom of Jerusalem, 1191โ1291. It is an art sponsored by kings and queens,
The Crusaders that landed in the Middle East in the late-11th century brought with them their own traditions of military architecture, but it was not long before their defensive construction began to reflect a broad array of local influences. Most early Crusader structures were relatively small, and
The Crusaders that landed in the Middle East in the late-11th century brought with them their own traditions of military architecture, but it was not long before their defensive construction began to reflect a broad array of local influences. Most early Crusader structures were relatively small, and