Ovid's remarkable and endlessly fascinating <em>Metamorphoses</em> is one of the best-known and most popular works of classical literature, exerting a pervasive influence on later European literature and culture. A vast repository of mythic material as well as a sophisticated manipulation of<br />st
Simile and Identity in Ovid's Metamorphoses
β Scribed by Marie Louise von Glinski
- Publisher
- Cambridge University Press
- Year
- 2012
- Tongue
- English
- Leaves
- 179
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
The first monograph on Ovid's epic simile, offering fresh perspectives on central episodes of this important work.
β¦ Table of Contents
FM
Introduction
1 metamorphosis-and-simile
2 the-gods-and-the-simile
3 the-simile-and-genre
4 simile-and-fictionality
5 conclusion
6 bibliography
7 Index locorum
8 General index
π SIMILAR VOLUMES
Nature imitates art--not a paradox from Oscar Wilde's pen, but instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE), marking a radical turning point in ancient aesthetics, founded on the principle of <em>mimesis</em>. For Ovid, art is independent of reality, not its mirror: by enhancin
<span>Ovidβs </span><span>Metamorphoses</span><span> has entranced audiences for two thousand years, from Rome under Augustus to humanities classrooms today. Borrowing liberally from Greek and Roman mythology, the poem tells hundreds of stories that share one essential theme: each tale depicts a tra
This book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity
This book positions Ovidβs Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity