This book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity
Ovid's Metamorphoses and the Environmental Imagination
✍ Scribed by Francesca Martelli; Giulia Sissa (editors)
- Publisher
- Bloomsbury Academic
- Year
- 2023
- Tongue
- English
- Leaves
- 265
- Series
- Ancient Environments
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
This book positions Ovid’s Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it.
Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid’s poem as an exemplar of the ‘premodern’ ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem’s ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.
✦ Table of Contents
Cover
Halftitle page
Series page
Title page
Copyright page
CONTENTS
ACKNOWLEDGEMENTS
CONTRIBUTORS
SERIES PREFACE
INTRODUCTION Francesca Martelli and Giulia Sissa1
Anthropology, animism and metamorphosis
Reading animism
Multispecies ethnography
Science and wisdom traditions
Agriculture and food studies
Hyperobjects and apocalypse
Conclusion
Notes
WHOA!
ANTHROPOLOGY/TRAGEDY/DARK ECOLOGY
CHAPTER 1 CUNCTA FLUUNT: THE FLUIDITY OF LIFE IN OVID’S METAMORPHIC WORLD Giulia Sissa
Cuncta fluunt: why Pythagoras?
Our mouth, our bowels
Human blood
Green peace
Victory on the victim
Bloody sacrifice in the Fasti: war and peace
Notes
CHAPTER 2 OVID’S GAIA: MEDEA, THE MIDDLE AND THE MUDDLE IN THE METAMORPHOSES* Marco Formisano
Notes
CROSS-SPECIES ENCOUNTERS
CHAPTER 3 ANIMAL LISTENING Shane Butler
A nightingale sings
A stroll with Uexküll
A nightingale listens
Notes
CHAPTER 4 MULTISPECIES TEMPORALITIES AND ROMAN FASTI IN OVID’S METAMORPHOSES Francesca Martelli
Halcyon generation(s)
Mourning Memnonides
Conclusion
Notes
CHAPTER 5 ARE TREES REALLY LIKE PEOPLE? Emily Gowers
Notes
SCIENCE/WISDOM TRADITIONS
CHAPTER 6 THE WORLD IN AN EGG: READING MEDIEVAL ECOLOGIES Miranda Griffin
The world of the Ovide moralisé
Manuscripts and the metamorphic zone
A profound ontology
The world, the egg and the soul
Eggs in the environment of the Metamorphoses
Notes
CHAPTER 7 THE TITANIA TRANSLATION: A MIDSUMMER NIGHT’S DREAM AND THE TWO METAMORPHOSES Julia Reinhard Lupton
Shakespeare’s Orphic forest
Bottom translated, Titania descending: a creaturely theophany
Festivals of Isis: a ship and an abortion
Notes
CHAPTER 8 METAMORPHOSIS IN A DEEPER WORLD Claudia Zatta
Ovid’s Metamorphoses: an ontology of the detail
The lifeworld of the Metamorphoses: from creation to exploitation and disclosure
Metamorphoses, motherhood and relational ontologies: From the earth to trees
Notes
AGRICULTURE
CHAPTER 9 LANGUAGE, LIFE AND METAMORPHOSIS IN OVID’S ROMAN BACKSTORY Diana Spencer
Introduction
Case study 1: Biomes (Virgil Georgics, Cicero De Lege Agraria and Lucretius)
Case study 2: Grafting (Varro, De Re Rustica)
Case study 3: Aetiology (Virgil, Eclogue 6 and Catullus 64)
Conclusions
Notes
CHAPTER 10 ‘WHO CAN IMPRESS THE FOREST?’ AGRICULTURE, WARFARE AND THEATRICAL EXPERIENCE IN OVID AND SHAKESPEARE Sandra Fluhrer
I
II
III
IV
Notes
EPILOGUE: A GLOBALLY WARMED METAMORPHOSES John Shoptaw
Note
BIBLIOGRAPHY
INDEX
📜 SIMILAR VOLUMES
<span>This book positions Ovid’s </span><span>Metamorphoses </span><span>as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varyin
Ovid's remarkable and endlessly fascinating <em>Metamorphoses</em> is one of the best-known and most popular works of classical literature, exerting a pervasive influence on later European literature and culture. A vast repository of mythic material as well as a sophisticated manipulation of<br />st
This famous translation of "The Metamorphoses" is the one that was read by William Shakespeare. Arthur Golding was the uncle of Edward DeVere, the seventeenth earl of Oxford, which many believe was the true identity of Shakespeare, and many of Shakespeare's stories and plots are taken from this book
Synthesizing a wealth of detailed observations, Joseph Solodow studies the structure of Ovid's poem <i>Metamorphoses</i>, the role of the narrator, Ovid's treatment of myth, and the relationship between Ovid's and Virgil's presentations of Aeneas. He argues that for Ovid metamorphosis is an act of c
<span>Ovid’s </span><span>Metamorphoses</span><span> has entranced audiences for two thousand years, from Rome under Augustus to humanities classrooms today. Borrowing liberally from Greek and Roman mythology, the poem tells hundreds of stories that share one essential theme: each tale depicts a tra