๐”– Scriptorium
โœฆ   LIBER   โœฆ

๐Ÿ“

Reading Graphic Design History: Image, Text, and Context

โœ Scribed by David Raizman


Publisher
Bloomsbury Visual Arts
Year
2020
Tongue
English
Leaves
305
Category
Library

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โœฆ Synopsis


Reading Graphic Design History uses a series of key texts from the history of print culture to address issues of class, race and gender. It encourages the reader to look at print advertising, illustration, posters, magazine art direction and typography aesthetically but also critically. David Raizmans innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design that have privileged certain schools or movements. He re-examines icons of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than generalisations that discourage the understanding of difference and the means by which graphic design communicates cultural values.

โœฆ Table of Contents


Cover
Contents
List of Illustrations
Foreword
Acknowledgments
Introduction
1 Josef Mรผller-Brockmann: โ€œschutzt das Kind!โ€ and the Mythology of Swiss Design
2 Koloman Moserโ€™s Thirteenth Secession Exhibition Poster (1902): Anatomy of a Work of Viennese Graphic Design
3 Cassandre and Dubonnet: Art Posters and Publicitรฉ in Interwar Paris
4 Frank Zachary at Holiday: Travel, Leisure, and Art Direction in Post-World War II America
5 Food, Race, and the โ€œNew Advertisingโ€: The Levyโ€™s Jewish Rye Bread Campaign 1963โ€“1969
6 Graphic Design and Politics: Thomas Nast and the โ€œTAMMANY TIGER LOOSEโ€
7 The Politics of Learning: Dr. John Fell and the Fell Types at Oxford University in the Later Seventeenth Century
Bibliography
Index


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