Cover
Half Title
Series
Title
Copyright
Contents
Preface
Acknowledgments
Introduction
Part I The Nature of Film
1 (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)
2 The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism
3 The Morph-Image: Four Forms of Post-Cinema
4 Deleuzeβs Cronosigns
Part II The Film as Philosophy Debate
5 The Bold Thesis Retried: On Cinema as Philosophy
6 Film as Philosophical Thought Experiment: Some Challenges and Opportunities
7 Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations
8 Philosophical Dimensions of Cinematic Experience
Part III The Philosophical Value of Film
9 Philosophical Experience and Experimental Film
10 Filmmaking as Self-Writing: Federico Felliniβs 8Β½ (1963)
11 Film and Ethics
Part IV Cinematic Experience
12 Movies, Narration and the Emotions
13 Predictive Processing and the Experimental Solution for the Paradox of Fiction
14 The Lived Experience of Motion Pictures: A Phenomenological Approach to Cinema
Part V Interpreting Cinematic Works
15 The Blade Runner Question: From Philosophy to Myth
16 Race, Bodies and Lived Realities in Get Out and Black Panther
17 Transnational Biopolitical Motives in Postmodern Cinema: Ε½iΕΎek and Badiou on Udi Aloniβs Forgiveness and Local Angel
Part VI Further Debates
18 Cinema and Television: The Art and Industry of Joint Works
19 Towards a Natural Screen Philosophy
20 Metaphysical Alter-Egos: Matheson, Dunne and the View From Somewhere
Contributors
Authors / Filmmakers
Films / TV Series
Subject Index