Agency and Imagination in the Films of David Lynch: Philosophical Perspectives
β Scribed by James D. Reid, Candace R. Craig
- Publisher
- Lexington Books
- Year
- 2019
- Tongue
- English
- Leaves
- 281
- Series
- Cine-Aesthetics: New Directions in Film and Philosophy
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmakerβs work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynchβs films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynchβs penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynchβs work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.
β¦ Table of Contents
Cover
Contents
Acknowledgments
A Note on Authorship
Introduction
1 βI Wanna Finish This One My Own Wayβ
One My Own Wayβ
2 From Pasture to Hellhole
3 Imaginative Recognition and Transfiguration
4 Knowledge, Agency, and Violence in Blue Velvet
5 Agency and Identity in Wild at Heart
6 βYouβll Never Have Meβ
7 βItβs No Longer Your Filmβ
8 βMy Wife is Not a Free Agentβ
9 Agency Regained in Twin Peaks
Epilogue
Bibliography
Index
About the Authors
π SIMILAR VOLUMES
This important new contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of Lynchβs films. It is also the first book to approach David Lynch as a figure composed through la
<P>This important new contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality, and authorial essence have shaped receptions of Lynch's films. It is also the first book to approach David Lynch as a figure composed throug