<P>This book contributes to the analysis of film from a multimodal and textual perspective by extending formal semantics into the realm of multimodal discourse analysis. It accounts for both the inferential as well as intersemiotic meaning making processes in filmic discourse and therefore addresses
Multimodal Film Analysis: How Films Mean
โ Scribed by John Bateman, Karl-Heinrich Schmidt
- Publisher
- Routledge
- Year
- 2011
- Tongue
- English
- Leaves
- 339
- Series
- Routledge Studies in Multimodality
- Edition
- 1
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theoryโincluding accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced โlayout structureโโbuilds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films.
With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?
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