<P>This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theoryβincluding accounts of the syntagmatic and paradigmatic axes of organisation,
Flashbacks in Film: A Cognitive and Multimodal Analysis
β Scribed by Adriana Gordejuela
- Publisher
- Routledge
- Year
- 2021
- Tongue
- English
- Leaves
- 193
- Series
- Routledge Advances in Film Studies
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Flashbacks in Film examines fi lm fl ashback as a rich multimodal narrative device, analyzing the cognitive underpinnings of fi lm fl ashbacks and the mechanisms that lead viewers to successfully comprehend them.
Combining a cognitive fi lm theory approach with the theoretical framework proposed by blending theory, which claims that human beingsβ general ability for conceptual integration underlies most of our daily activities, this book argues that fl ashbacks make sense to the viewer, as they are specifi cally designed for the viewerβs cognitive understanding. Through a mixture of analysis and dozens of case studies, this book demonstrates that successful fi lm fl ashbacks appeal to the spectatorβs natural perceptual and cognitive abilities, which spectators exercise daily.
This book will serve as a valuable resource for scholars interested in film studies, media studies, and cognitive linguistics.
β¦ Table of Contents
Cover
Half Title
Series
Title
Copyright
Contents
Acknowledgments
1 Introduction: a cognitive approach to film
2 Flashbacks in film
3 Blended joint attention
4 Viewpoint compression
5 Time compression
6 The whole picture
7 Conclusions
References
List of films
List of flashbacks
List of figures
Index
β¦ Subjects
Film Studies, Cultural Studies, Cinema, Psychology
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