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Migration in Lusophone Cinema

✍ Scribed by Cacilda RΓͺgo, Marcus Brasileiro (eds.)


Publisher
Palgrave Macmillan US
Year
2014
Tongue
English
Leaves
236
Category
Library

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✦ Table of Contents


Front Matter....Pages i-xi
Introduction....Pages 1-16
Imagining Migration: A Panoramic View of Lusophone Films and Tabu (2012) as a Case Study....Pages 17-40
Thinking of Portugal, Looking at Cape Verde: Notes on Representation of Immigrants in the Films of Pedro Costa....Pages 41-57
Outros Bairros and the Challenges of Place in Postcolonial Portugal....Pages 59-75
Deterritorialization Processes in the Portuguese Emigratory Context: Cinematic Representations of Departing and Returning....Pages 77-92
Performing Criminality: Immigration and Integration in Foreign Land and Fado Blues....Pages 93-112
Two Hungaries and Many Saudades: Transnational and Postnational Emotional Vectors in Contemporary Brazilian Cinema....Pages 113-129
Reverse Migration in Brazilian Transnational Cinema: Um passaporte hΓΊngaro and RapsΓ³dia ArmΓͺnia....Pages 131-149
Otherness and Nationhood in Tizuka Yamasaki’s Gaijin I and Gaijin II....Pages 151-165
Cinema, Aspirins, and Vultures: A Double Escape from a Global Conflict....Pages 167-185
European Immigrants and the Estado Novo in Contemporary Brazilian Cinema....Pages 187-202
The Migrant in Helena Solberg’s Carmen Miranda: Bananas is My Business....Pages 203-219
Back Matter....Pages 221-232

✦ Subjects


Directing; Film History; Arts; Film and Television Studies; Romance Languages


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