<p><span>Presenting the depiction of migration through a variety of cinematic outlets, this volume explores filmโs depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and
Migrants' Perspectives, Migrants in Perspective: World Cinema
โ Scribed by Nicole Beth Wallenbrock; Frank Jacob
- Publisher
- Edinburgh University Press
- Year
- 2022
- Tongue
- English
- Leaves
- 272
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Analyses how migrants are portrayed in film from different viewpoints
- Deciphers the semiotics of migration and its representation in cinema
- Analyses films which depict migration in Africa, the Americas, Europe, and the Middle East
- Explores films that transgress mainstream popular currents and instead participate in alternative networks, such as internet, festivals, museums, and art-house circuits
Presenting the depiction of migration through a variety of cinematic outlets, this volume explores filmโs depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributorsโ close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals.
Migrantsโ Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrantsโ point of view.
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