Shen Pao-chen and Chinaβs Modernization
β David Pong
π Library
π
1994
π Cambridge University Press
π English
β¦ LIBER β¦
π
Fictional Realism in Twentieth-Century China: Mao Dun, Lao She, Shen Congwen
β Scribed by David Der-wei Wang
- Publisher
- Columbia University Press
- Year
- 1992
- Tongue
- English
- Leaves
- 190
- Series
- Modern Asian Literature Series
- Category
- Library
β¬ Acquire This Volume
No coin nor oath required. For personal study only.
π SIMILAR VOLUMES
Where Chiang Kai-Shek Lost China: The Li
β Harold M. Tanner
π Library
π
2015
π Indiana University Press
π English
The civil war in China that ended in the 1949 victory of Mao Zedong's Communist forces was a major blow to US interests in the Far East and led to heated recriminations about how China was lost. Despite their significance, there have been few studies in English of the war's major campaigns. The Liao
Where Chiang Kai-Shek lost China : the L
β Tanner, Harold Miles
π Library
π
2015
π Indiana University Press
π English
<P>The civil war in China that ended in the 1949 victory of Mao Zedongβs Communist forces was a major blow to US interests in the Far East and led to heated recriminations about how China was "lost." Despite their significance, there have been few studies in English of the war's major campaigns. The
Lao She in London
β Anne Witchard
π Library
π
2012
π Hong Kong University Press
π English
<P>'London is blacker than lacquer'. Lao She remains revered as one of China great modern writers. His life and work have been the subject of volumes of critique, analysis and study. However, the four years the young aspiring writer spent in London between 1924 and 1929 have largely been overlooked.
From May Fourth to June Fourth: Fiction
β Ellen Widmer (editor); David Der-wei Wang (editor)
π Library
π
2009
π Harvard University Press
π English
<p>What do Chinese literature and film inspired by the Cultural Revolution (1966β1976) have in common with media of the May Fourth movement (1918β1930)? This book demonstrates several shared aims: to liberate narrative arts from aesthetic orthodoxies, to draw on foreign sources for inspiration, and
From May Fourth to June Fourth: Fiction
β Ellen Widmer, David Der-wei Wang
π Library
π
1993
π English
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-centur