β Scribed by Geoffrey Chaucer
No coin nor oath required. For personal study only.
The procession that crosses Chaucer's pages is as full of life and as richly textured as a medieval tapestry. The Knight, the Miller, the Friar, the Squire, the Prioress, the Wife of Bath, and others who make up the cast of characters -- including Chaucer himself -- are real people, with human emotions and weaknesses. When it is remembered that Chaucer wrote in English at a time when Latin was the standard literary language across western Europe, the magnitude of his achievement is even more remarkable. But Chaucer's genius needs no historical introduction; it bursts forth from every page of The Canterbury Tales.
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On a spring day in April--sometime in the waning years of the 14th century--29 travelers set out for Canterbury on a pilgrimage to the shrine of Saint Thomas Beckett. Among them is a knight, a monk, a prioress, a plowman, a miller, a merchant, a clerk, and an oft-widowed wife from Bath. Travel is arduous and wearing; to maintain their spirits, this band of pilgrims entertains each other with a series of tall tales that span the spectrum of literary genres. Five hundred years later, people are still reading Geoffrey Chaucer's Canterbury Tales. If you haven't yet made the acquaintance of the Franklin, the Pardoner, or the Squire because you never learned Middle English, take heart: this edition of the Tales has been translated into modern idiom.
From the heroic romance of "The Knight's Tale" to the low farce embodied in the stories of the Miller, the Reeve, and the Merchant, Chaucer treated such universal subjects as love, sex, and death in poetry that is simultaneously witty, insightful, and poignant. The Canterbury Tales is a grand tour of 14th-century English mores and morals--one that modern-day readers will enjoy.
This carefully researched and lively edition of a part of Chaucer's masterwork is richly and beautifully produced. While Cohen admits that "Chaucer's words are best," her prose adaptation of four of his tales captures the zest and vigor of Middle English and makes his stories accessible to the modern child. This is not a pedantic translation or a bowdlerized retelling; Cohen does not substitute weak cliches for Chaucer's rollicking and earthy metaphors, nor does she sacrifice the rhythms of his text. Readers hear the bickering of the pilgrims as they decide on which tale they want to hear next, and the rambling voice of the good Sir John as he laments Chaunticleer's fate. Hyman's meticulous drawings not only evoke the rich panoply of 14th century England, but they are faithful to the text in the smallest detail. Each pilgrim is made particular: we see the Pardoner's limp hanks of hair and the Wife of Bath's gap-toothed smile and dainty ankle. One could not ask for a more enticing introduction to Chaucer's world. Ages 10-up.
Copyright 1988 Reed Business Information, Inc.
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