british performing arts yearbook
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490 pages : 30 cm
Contrary to critics who have called it the βundecade,β the 1970s were a time of risky, innovative artβand nowhere more so than in Britain, where the forces of feminism and labor politics merged in a radical new aesthetic. In<i>Art Labor, Sex Politics</i>Siona Wilson investigates the charged relation
n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as AndrΓ© Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatr