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πŸ“

Theory of Performing Arts

✍ Scribed by André Helbo


Publisher
John Benjamins Publishing Company
Year
1987
Tongue
English
Leaves
159
Series
Critical Theory
Category
Library

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✦ Synopsis


n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as AndrΓ© Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.


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