Theory of Performing Arts
β Scribed by AndrΓ© Helbo
- Publisher
- John Benjamins Publishing Company
- Year
- 1987
- Tongue
- English
- Leaves
- 159
- Series
- Critical Theory
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as AndrΓ© Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.
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Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights. The dynamic relationship between performance and activism are illustr
This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.</p><ul><li><div>Presents the significant philosophical issues concerning the performing arts in an accessible style, assuming no prior knowledgeContent: <br>Chapter
This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.</p><ul><li><div>Presents the significant philosophical issues concerning the performing arts in an accessible style, assuming no prior knowledge</div></li><li><div>