๐”– Scriptorium
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๐Ÿ“

British Labouring-Class Nature Poetry, 1730โ€“1837

โœ Scribed by Bridget Keegan (auth.)


Publisher
Palgrave Macmillan UK
Year
2008
Tongue
English
Leaves
233
Edition
1
Category
Library

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โœฆ Synopsis


This study shows how poets worked within and against the available forms of nature writing to challenge their place within physical, political, and cultural landscapes. Looking at the treatment of different ecosystems, it argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions.

โœฆ Table of Contents


Front Matter....Pages i-xii
Introduction: โ€˜A Weed in Natureโ€™s Poesyโ€™ โ€” British Labouring-Class Nature Poetry, 1730โ€“1837....Pages 1-9
โ€˜The Fields His Studyโ€™: Robert Bloomfieldโ€™s Poetics of Sustainability....Pages 10-36
Return to the Garden: James Woodhouse and Polite Cultivations....Pages 37-64
Heavenly Prospects: Views From Clifton and Cliffden....Pages 65-97
Writing Against the Current: Anne Wilsonโ€™s Teisa and Labouring-Class River Poetry....Pages 98-121
โ€˜What Terms of Art Can Natureโ€™s Powโ€™rs Express?โ€™: William Falconer and Labouring-Class Poetry at Sea....Pages 122-147
โ€˜And All is Nakedness and Fenโ€™: John Clareโ€™s Wetlands....Pages 148-171
Conclusion: The Politics and Poetics of Wood โ€” Labouring-Class Poetry in the Victorian Era....Pages 172-192
Back Matter....Pages 193-220

โœฆ Subjects


Poetry and Poetics;British and Irish Literature;Nineteenth-Century Literature;Early Modern/Renaissance Literature


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