The pride o' a' our Scottish plain; Thou gi'es us joy to hear thy strain, (Janet Little, 'An Epistle to Mr Robert Burns') The 18th century saw Scotland become one of the leading international centres of literature, philosophy, and publishing and yet still retain its lively oral tradition of ballads
Scottish Poetry, 1730-1830
β Scribed by Daniel Cook
- Publisher
- Oxford University Press
- Year
- 2023
- Tongue
- English
- Leaves
- 785
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
The pride o' a' our Scottish plain; Thou gi'es us joy to hear thy strain, (Janet Little, 'An Epistle to Mr Robert Burns') The 18th century saw Scotland become one of the leading international centres of literature, philosophy, and publishing and yet still retain its lively oral tradition of ballads and poetry. Scottish Poetry, 1730-1830 edited by Daniel Cook contains over 200 poems and songs written in Scots, English, and Gaelic which reflect this vibrant period of literary flourishing. The collection places Burns, Scott, and other major writers alongside lesser known or even entirely forgotten figures. Gaelic poets feature in their original language and in translation, along with many important long poems in their entirety. Lairds and ladies jostle with labouring-class writers, satirists with sentimentalists, Gaelic bards with Gothic balladists, rural singers with urbanite odists, and together they reveal the unrivalled range of Scottish poetry. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
π SIMILAR VOLUMES
Ch. 1. Introduction -- ch. 2. Prologue : the sack of Rome -- ch. 3. Monuments of the High Renaissance -- ch. 4. A new political order -- ch. 5. Institutions of culture -- ch. 6. Mannerism -- ch. 7. Tridentine reform -- ch. 8. Consolidation -- ch. 9. Destabilization.
This study shows how poets worked within and against the available forms of nature writing to challenge their place within physical, political, and cultural landscapes. Looking at the treatment of different ecosystems, it argues that writing about the environment allowed labouring-class poets to exp