Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.
Beckett and Nothing: Trying to understand Beckett
✍ Scribed by Daniela Caselli (editor)
- Publisher
- Manchester University Press
- Year
- 2020
- Tongue
- English
- Leaves
- 292
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
The volume explores the paradoxes at the core of Beckett’s poetics through the notion of ‘nothing’, analysed in its many incarnations in Beckett’s prose works, plays, TV plays and adaptations.
✦ Table of Contents
Front matter
Contents
List of figures
List of contributors
Acknowledgments
Foreword: Nothing new
Introduction: Beckett and nothing: trying to understand Beckett
On not being there: going on without in Beckett
Nothing of value: reading Beckett’s negativity
Nothing has changed
‘A tangle of tatters’: ghosts and the busy nothing in Footfalls
Nothings in particular
Unwords
Into the void: Beckett’s television plays and the idea of broadcastingl
Beckett, Feldman, Salcedo . . . Neither
From Film to literature: theoretical debates and the critical erasure of Beckett’s cinema
Beckett and unheard sound
It’s nothing: Beckett and anxiety
‘Something or nothing’: Beckett and the matter of language
Coda: The no-thing that knows no name and the Beckett envelope, blissfully reconsidered
Bibliography
Index
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