The voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embod
Beckettโs Voices / Voicing Beckett
โ Scribed by Laurens De Vos, Mariko Hori Tanaka, Nicholas E. Johnson
- Publisher
- BRILL
- Year
- 2021
- Tongue
- English
- Leaves
- 361
- Series
- Themes in Theatre: Collective Approaches to Theatre and Performance, 12
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Beckettโs Voices / Voicing Beckett uses โvoiceโ as a prism to investigate Samuel Beckettโs work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckettโs contemporary artistic legacy in relation to music, media, performance, and philosophy.
โฆ Table of Contents
Contents
Preface and Acknowledgements
Figures
Notes on Contributors
All the dead voices': Introduction
Listening to the Inner Voice in Watt: Innovations in Narrative Form
Part 1: Musicality of Voices
Sound Matters in Beckett
Revealing the Limit of Language in Relation to Music
Embers: A Polyphonic Piece for Radio
Part 2: Voices of an Absent Other
Samuel Beckett, Quickening thedead voices': From Waiting for Godot to That Time
Scratching the Surface: The Dramaturgical Oxymoron in Beckett's Silences
Why Is Listener' NamedSouvenant'? The Role of the Spectator in a Bilingual Reading of That Time/Cette fois
Un-bodied Voices, the Thing Itself and Beckett's Neural Theatre
Part 3: Voices of the Vulnerable
Pacing as Repressed Memory of Embodiment and Enactment in Footfalls
`Rock her off': The Paradoxical Tension of the Split Voice in Rockaby
Technology and the Voices of the More than Human in Beckett's All That Fall
A Creamy Work: Schiller and Beckett
Part 4: Cinematic Voices
Filmic Perspectives in Speaker's Narrative of A Piece of Monologue
Cinematic Adaptations of Beckett's Breath
Translating Silence: Ashish Avikunthak's Cinematographic Version of Come and Go
Part 5: Enacted Voices in Performance and Media
Without Colour: Beckett and the Stage Voice
Beckett in Performance: The Body of a Beckettian Actor
Translating Beckett's Voices in Different Cultures
Articulations of Voice and Medium in Beckett's Screen Work
All That Fall as a Case Study in the Possibilities and Problematics of Re-routing Samuel Beckett's Radio Plays for Performance in Other Media
Bibliography
Index
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