Artistic Research in Performance through Collaboration

✍ Scribed by Martin Blain, Helen Julia Minors

Publisher: Springer International Publishing;Palgrave Macmillan
Year: 2020
Tongue: English
Leaves: 291
Edition: 1st ed.
Category: Library

No coin nor oath required. For personal study only.

✦ Synopsis

This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research. It is explored here through the different practices in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), as well as focusing attention and understanding on the tacit/implicit dimensions of working across different media.

✦ Table of Contents

Front Matter ....Pages i-xxix
Front Matter ....Pages 1-1
Introduction: Defining the Territory: Collaborative Processes, Issues and Concepts (Martin Blain, Helen Julia Minors)....Pages 3-10
The Place of Artistic Research in Higher Education (Martin Blain, Helen Julia Minors)....Pages 11-36
Front Matter ....Pages 37-37
Why Collaborate? Critical Reflections on Collaboration in Artistic Research in Classical Music Performance (Mine Doğantan-Dack)....Pages 39-57
The Aesthetics of Artistic Collaboration (Andy Hamilton)....Pages 59-74
In the Bee Hive: Valuing Craft in the Creative Industries (Alice Kettle, Helen Felcey, Amanda Ravetz)....Pages 75-93
The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study (Adam Fairhall)....Pages 95-112
Soundpainting: A Tool for Collaborating During Performance (Helen Julia Minors)....Pages 113-138
Collaboration and the Practitioner-Researcher: A Composer’s Perspective (Tom Armstrong)....Pages 139-164
Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance (Mathilde Pavis, Karen Wood)....Pages 165-184
Romance and Contagion: Notes on a Conversation Between Drawing and Dance (Sally Morfill)....Pages 185-204
The Good, The God and The Guillotine: Insider/Outsider Perspectives (Martin Blain, Jane Turner)....Pages 205-228
Connecting Silos: Examples of Arts Organisation and HEI Collaborations at the Foundation for Art and Creative Technology (Roger McKinley, Mark Wright)....Pages 229-249
Back Matter ....Pages 251-270

✦ Subjects

Cultural and Media Studies; Performing Arts; Performers and Practicioners; Contemporary Theatre; Arts

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