倒悬人 (ThePeopleHangUpsidedown))

✍ Scribed by 林渊液

• Publisher: CNPeReading
• Year: 2017
• Tongue: Chinese
• Category: Fiction

✦ Synopsis

《倒悬人》收录了十个有关现代女性精神成长的故事:《倒悬人》《黑少年之梦》《花萼》《戏病毒》《我来自马达加斯加》《签诗》《绝处》《鸟事》《失语年》《花儿锁》。她们，虽被贴上雕塑家、画家、演员、服装设计师、专栏作家、教师、工艺师等不同标签，却拥有一个相同的名字：女人。在感情世界中经历了各种困惑和混乱，她们完成了身体自主性意识的启蒙，也完成了情性的自我救赎。作者林渊液善于捕捉人性暗物质，以或犀利或温煦的眼光，重新观照被书写了千万遍的两性关系，揭开灵魂深处的隐忍与狂欢。评论家王干认为“林渊液的小说不是在时代的风口浪尖着笔，她的笔触从女性的内心出发，关乎的是现代人的生存困惑。”作家李浩评论：“林渊液对于女人和两性关系的书写，与我们已知的生活常态既像又不像。她在虚构里探讨一种更深入、更有诱惑力的真相。”学者陈培浩评价“林渊液小说的技法创新使其几乎置身于当代中国短篇小说最前沿。”（The People Hang Upside down includes ten stories about spiritual growth of modern women: The People Hang Upside down, The Dream of a Black Teenager, Calyx, Drama Virus, I Come from Madagascar, The Poem on the Divination Stick, The Desperate Situation, The Bird’s Matter, The Year of Aphasia and The Lock of Flowers. Although they are labeled with different labels such as sculptors, painters, actors, fashion designers, columnists, teachers and craftswomen, they share the same name: women. After experiencing various confusion and chaos in the emotional world, they have completed the enlightenment of self-consciousness of the body and also completed the self-redemption of disposition. The author, Lin Yuanye, is good at capturing dark matters in human nature, and observing the relationship between men and women which has been written about for thousands of times and revealing the tolerance and revelry in the depth of soul from sharp or warm perspective. The critic Wang Gan, believed, “Lin Yuanye’s novels are not about the front line of the era. Her writing starts from inner heart of women and related to modern people’s bewilderment of existence.” The writer, Li Hao, commented, “Lin Yuanye’s writing about women and the relationship between men and women is similar and dissimilar to the normality of life that we know. She discusses a kind of more in-depth and more attractive truth in fiction.” The scholar, Chen Peihao, evaluated, “the skill innovation in Lin Yuanye’s novels makes her almost at the forefront of contemporary Chinese short stories.”）