The continual, unpredictable, and often violent "traffic" between identities in colonial and postcolonial India is the focus of Parama Roy's stimulating and original book. Mimicry has been commonly recognized as an important colonial model of bourgeois/elite subject formation, and Roy examines its p
Wives, Widows, and Concubines: The Conjugal Family Ideal in Colonial India (Contemporary Indian Studies)
β Scribed by Mytheli Sreenivas
- Publisher
- Indiana University Press
- Year
- 2008
- Tongue
- English
- Leaves
- 189
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
The family was at the center of intense debates about identity, community, and nation in colonial Tamil Nadu, India. Emerging ideas about love, marriage, and desire were linked to caste politics, the colonial economy, and nationalist agitation. In the first detailed study of the family in Tamil history, Wives, Widows, and Concubines maps changes in the late colonial family in relation to the region's culture, politics, and economy. Among professional and mercantile elites, the conjugal relationship displaced the extended family as the focal point of household dynamics. Conjugality provided a language with which women laid claim to new rights, even as the structures of the conjugal family reinscribed women's oppression inside and outside marriage.
π SIMILAR VOLUMES
<p>The continual, unpredictable, and often violent "traffic" between identities in colonial and postcolonial India is the focus of Parama Roy's stimulating and original book. Mimicry has been commonly recognized as an important colonial model of bourgeois/elite subject formation, and Roy examines it
This book discusses selected works by six contemporary Indian novelists writing in English - Vikram Seth, Salman Rushdie, Nayantara Sahgal, Arundhati Roy, Ruchir Joshi and Rupa Bajwa - all of whom have made the Indian nation a central theme in their fiction.Β All these writers respond, in varying wa
Through discussion of a dazzling array of artists in India and the diaspora, this bookΒ delineates a new language of dance on the global stage. Myriad movement vocabularies intersect the dancers' creative landscape, whileΒ cutting-edge creative choreography parodies gender and cultural stereotypes, an