๐”– Scriptorium
โœฆ   LIBER   โœฆ

๐Ÿ“

Without Alibi (Meridian: Crossing Aesthetics)

โœ Scribed by Jacques Derrida


Publisher
Stanford University Press
Year
2002
Tongue
English
Leaves
340
Series
Meridian: Crossing Aesthetics
Edition
1
Category
Library

โฌ‡  Acquire This Volume

No coin nor oath required. For personal study only.

โœฆ Synopsis


This book brings together for the first time five recent essays by Jacques Derrida, which advance his reflections on many issues: lying, perjury, forgiveness, confession, the profession of faith, and, most recently, cruelty, sovereignty, and capital punishment. Strongly linked by their attention to "performatives" and the "as if," the essays show the necessity of thinking beyond the category of acts that are possible for a subject. Derrida argues forcefully that thought must engage with the im-possible, that is, the order of the unforeseeable event, the absolute future still to come. This acute awareness of the limits of performative programs informs the essays throughout and attunes them closely to events of a world undergoing "globalization." The first essay, "History of the Lie," reviews some classic and modern definitions of the lie (Augustine, Rousseau, Kant, Koyrรฉ, Arendt), while renewing questions about what is called lying, as distinguished from other forms of nontruth. This inventive analysis is followed by "Typewriter Ribbon," which examines at length the famous lie recounted by Rousseau in his Confessions, when he perjured himself by accusing another of his own crime. Paul de Man's reading of this textual event is at the center of Derrida's patient, at times seriously funny analyses. "Le parjure, Perhaps" engages with a remarkable novel by Henri Thomas that fictionalizes the charge of perjury brought against Paul de Man in the 1950s. Derrida's extraordinary fineness as a reader and thinker of fiction here treats, to profound effect, the "fatal experience of perjury." The two final essays, "The University Without Condition" and "Psychoanalysis Searches the States of Its Soul," address the institutions of the university and of psychoanalysis as sites from which to resist and deconstruct the nontruth or phantasm of sovereignty. For the university, the principle of truth remains at the core of its resistance; for psychoanalysis, there is the obligation to remain true to what may be, Derrida suggests, its specific insight: into psychic cruelty. Resistance to the sovereign cruelty of the death penalty is just one of the stakes indicated by the last essay, which is the text of a keynote address to the "States General of Psychoanalysis" held in Paris, July 2000. Especially for this volume, Derrida has written "Provocation: Forewords," which reflects on the title Without Alibi while taking up questions about relations between deconstruction and America. This essay-foreword also responds to the event of this book, which Peggy Kamuf in her introduction presents as event of resistance. Without Alibi joins two other books by Derrida that Kamuf has translated for Stanford University Press: Points . . .: Interviews, 1974-1994 (1994) and Resistances of Psychoanalysis (1998).

โœฆ Table of Contents


Cover
Title Page
Copyright
Acknowledgments
CONTENTS
Preface: Toward the Event (Peggy Kamuf)
Provocation: Forewords (Jacques Derrida)
Introduction: Event of Resistance (Peggy Kamuf)
1. History of the Lie: Prolegomena
2. Typewriter Ribbon: Limited Ink (2)
3. "Le Parjure," Perhaps: Storytelling and Lying
4. The University Without Condition
5. Psychoanalysis Searches the State of Its Soul
Notes


๐Ÿ“œ SIMILAR VOLUMES


Handbook of Inaesthetics (Meridian: Cros
โœ Alain Badiou ๐Ÿ“‚ Library ๐Ÿ“… 2004 ๐ŸŒ English

Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of the

Nudities (Meridian: Crossing Aesthetics)
โœ Giorgio Agamben ๐Ÿ“‚ Library ๐Ÿ“… 2010 ๐ŸŒ English

Encompassing a wide range of subjects, the ten masterful essays gathered here may at first appear unrelated to one another. In truth, Giorgio Agamben's latest book is a mosaic of his most pressing concerns. Take a step backward after reading it from cover to cover, and a world of secret affinities b

Acting Out (Meridian: Crossing Aesthetic
โœ Bernard Stiegler ๐Ÿ“‚ Library ๐Ÿ“… 2008 ๐Ÿ› Stanford University Press ๐ŸŒ English

Acting Out is the first appearance in English of two short books published by Bernard Stiegler in 2003. In How I Became a Philosopher, he outlines his transformation during a five-year period of incarceration for armed robbery. Isolated from what had been his world, Stiegler began to conduct a kind

Selected Writings (Meridian: Crossing Ae
โœ Sarah Kofman, Thomas Albrecht (editor), Georgia Albert (editor), Elizabeth G. Ro ๐Ÿ“‚ Library ๐Ÿ“… 2007 ๐Ÿ› Stanford University Press ๐ŸŒ English

<span><p>Sarah Kofman (1934-1994), Professor of Philosophy at the Sorbonne in Paris and the author of over twenty books, was one of the most significant postwar thinkers in France. Kofman's scholarship was wide-ranging and included work on Freud and psychoanalysis, Nietzsche, feminism and the role o

Sound Figures (Meridian: Crossing Aesthe
โœ Theodor W. Adorno ๐Ÿ“‚ Library ๐Ÿ“… 1999 ๐Ÿ› Stanford University Press ๐ŸŒ English

<p><span>Theodor Adorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is i