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Cover of Witch Hunt

Witch Hunt

✍ Scribed by Ian Rankin


Publisher
ORION PAPERBACKS
Year
2000
Tongue
English
Weight
238 KB
Category
Fiction

No coin nor oath required. For personal study only.

✦ Synopsis


From Publishers Weekly

In this rather tepid thriller, Britain's security services are thrown into a tizzy thanks to the mysterious female superassassin known as Witch, who changes disguises and personae at the drop of a hat, carrying out hits and gravitating ominously toward the vulnerable heads of state at a London summit. Witch should be a potent femme fatale, combining female penchants for dressup and masquerade, social infiltration and sexual manipulation with male tendencies toward violence and lone-wolf alienation. But Rankin's attempts to get inside her head fall a bit flat. Glamorous on the outside, this lady assassin is dull on the inside; Witch has a touch of feminist outrage but spends most of her time dourly mulling over the details of upcoming hits. The novel often ditches her to take up the richer psychologies of the detectives tracking her, the incessant bureaucratic infighting and turf battles among various police and intelligence agencies, and a knockabout romance between an English spy-bloke and a French spy-gamine on Witch's trail. Rankin (Resurrection Men, etc.) is more comfortable with drawing-room mystery than spy thriller here; much of the action is interior, revolving around probing interviews and crossword-puzzle clues, and the terrorist-spectacular plot eventually deflates into a family melodrama. Rankin piles on lots of absorbing assassin and police procedural sleuthing, but it's all in pursuit of a routine case.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Witch Hunt, a combo police procedural and spy thriller, may or may not live up to Edgar Award-winning Rankin’s reputation, depending on who’s doing the writing. The Providence Journal offers up high praise, complimenting Rankin on his intricate backdrop, inventive plots, and insight into “bureaucratic skullduggery” and “policies of protocol and inter-agency hierarchies.” The Washington Post, by contrast, compares Witch Hunt to works by John le Carré “in his glory days”—but without le Carré’s literary finesse and sense of history. Until Rankin returns to his unparalleled form, here is a tepid thriller that, at least, won’t inspire terrorist nightmares. See our profile of Rankin’s Inspector Rebus series in “Great Mystery Series” on page 34.

Copyright © 2004 Phillips & Nelson Media, Inc.


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