xiii, 209 pages ; 23 cm
Westerns: Films through History
โ Scribed by Walker, Janet (editor)
- Publisher
- Routledge
- Year
- 2001
- Tongue
- English
- Leaves
- 273
- Series
- AFI Film Readers
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
โฆ Table of Contents
Cover
Title
Copyright
Contents
acknowledgments
introduction: westerns through history
part one. historical metafiction: the 1990s western
1. generic subversion as counterhistory: mario van peebles's posse
2. a tale N/nobody can tell: the return of a repressed western history in jim jarmusch's dead man
3. the burden of history and john sayles's lone star
part two. historiophoty: buffalo bill, the indians, and the western biopic
4. cowboy wonderland, history and myth: "it ain't all that different than real life"
5. life-like, vivid, and thrilling pictures: buffalo bill's wild west and early cinema
6. buffalo bill (himself): history and memory in the western biopic
part three. film history: widening horizons
7. how the west was sung
8. drums along the l.a. river: scoring the indian
9. beyond the western frontier: reappropriations of the "good badman" in france, the french colonies, and contemporary algeria
part four. history through narrative
10. captive images in the traumatic western: the searchers, pursued, once upon a time in the west, and lone star
contributors
index
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