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Weathering Shakespeare: Audiences and Open-Air Performance

โœ Scribed by Evelyn O'Malley


Publisher
Bloomsbury Academic
Year
2021
Tongue
English
Leaves
241
Series
(Environmental Cultures)
Edition
1
Category
Library

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โœฆ Synopsis


From The Pastoral Players 1884 performance of As You Like It to contemporary productions in Londons Regents Park, there is a rich history of open air performances of Shakespeares plays. Weathering Shakespeare reveals how new insights from the environmental humanities can transform our understanding of this popular performance practice. Drawing on audience accounts of outdoor productions of those plays most commonly chosen for open air performance including A Midsummer Nights Dream and The Tempest the book examines how performers and audiences alike have reacted to unpredictable natural environments. Weathering Shakespeare goes on to explore the ways in which contemporary concerns about the environment have informed new and emerging performance practices.

โœฆ Table of Contents


Cover
Contents
List of Figures
Acknowledgments
Introduction
Part One
1 Performing Pastoral: A New Form of Poetic Representation
2 โ€œLight them at the fiery glow-wormโ€™s eyesโ€: Max Reinhardtโ€™s A Midsummer Nightโ€™s Dream and the Regentโ€™s Park Open Air Theatre
Part Two
3 Shakespeare-Inspired Nature-Theaters: Minack and the Willow Globe
4 Wandering in Woods: The Natural Place for the Play
Part Three
5 Green Atmospheres: Nature Playing (Along, Sometimes)
6 Shakespeare for a Changing Climate
Afterword
Bibliography
Index

โœฆ Subjects


Literary Criticism, Literary Theory, Ecocriticism, Green Studies, Audience Studies


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