β Scribed by Brad West
No coin nor oath required. For personal study only.
π SIMILAR VOLUMES
<p>Shaping individual and collective war memories through the art of commemoration.</p> <p>Shaping individual and collective war memories through the art of commemoration.</p>
War memory and commemoration have had increasingly high profiles in public and academic debates in recent years. This volume examines some of the social changes which have led to this development, among them the passing of the two World Wars from survivor into cultural memory. Focusing on the <EM>po
This book bridges theoretical gaps that exist between the meta-concepts of memory, place and identity by positioning its lens on the emplaced practices of commemoration and the remembrance of war and conflict. This book examines how diverse publics relate to their wartime histories through engageme
<p>This book bridges theoretical gaps that exist between the meta-concepts of memory, place and identity by positioning its lens on the emplaced practices of commemoration and the remembrance of war and conflict.</p> <p>This book examines how diverse publics relate to their wartime histories through
The twentieth century, perhaps more than any other, was shaped by war and conflict. In particular, the two world wars have had a profound influence on the development of world history, especially in western Europe. The aim of Memory and Memorials, however, is not to seek the effects war has had on t
<span>Instrumentalization of the wartime past for political gain is the subject of this study of eleven World War II commemorations. Using a comparative, conceptually original approach, Yoder identifies the actors who manipulate memory surrounding wartime anniversaries, such as the bombing of Dresde