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๐Ÿ“

Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre

โœ Scribed by Merle Tรถnnies, Eckart Voigts


Publisher
De Gruyter
Year
2022
Tongue
English
Leaves
260
Category
Library

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โœฆ Synopsis


The volume uses an interdisciplinary approach to examine how 21st-century British theatre increasingly intercuts dystopian and utopian elements to create innovative strategies for addressing current social and political concerns. In the case studies, a key role is given to the ways in which the selected plays use real and fictional spaces on stage and thereby manage to construct interactional spaces which the spectators are invited to share.

โœฆ Table of Contents


Table of Contents
Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary British Dys/Utopian Theatre
โ€œSomethingโ€™s Missingโ€: Feeling the Structures of Project Neoliberal Dystopia
โ€œTo Watch is not Enoughโ€: Utopia, Performance, and Hope(lessness)
Environment, Virus, Dystopia: Disruptive Spatial Representations
Towards a Genealogy of the British Feminist Dystopian Play
Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahernโ€™s Flawed Series
Dystopian Dramaturgies: Living in the Ruins
A Description of This World as if It Were a Beautiful Place: From Avant-Garde Destruction to Dys(u)topias
The End of Capitalism and the End of Democracy: Dystopian and Critical Utopian Political Economies in an Age of Austerity
Utopian Past and Dystopian Present? Nostalgia in Brexit Britain
Civil Wars and Republics in Contemporary (Dystopian) Drama
The Spectre of Utopia/Dystopia: The Representation of Anthropogenic Global Climate Change as Culture-War Issue in Richard Beanโ€™s The Heretic (2011)
โ€œI Am the Abyss into Which People Dread to Fallโ€: Encountering Anxiety in Dystopian Drama
Visions of Hell in Contemporary British Drama
โ€œHiding from the Worldโ€: Dystopian Subjectivity in Martin Crimpโ€™s In the Republic of Happiness
โ€œLet the Doors Be Shut uponโ€โ€ฆ COVID-19: Relocating the Globe Theatre Stage to the Net
Notes on Contributors
Index of Names
Subject Index


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