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Trespassing Through Shadows: Memory, Photography, And The Holocaust (Visible Evidence)

✍ Scribed by Andrea Liss


Publisher
Univ Of Minnesota Press
Year
1998
Tongue
English
Leaves
174
Series
Visible Evidence
Edition
1
Category
Library

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✦ Synopsis


Art historian Andrea Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history. 12 color photos. 28 b&w photos.

✦ Table of Contents


Contents......Page 6
Acknowledgments......Page 8
Introduction: (Im)Possible Witnessing......Page 12
1 Photography and Naming......Page 22
2 The Identity Card Project and the Tower of Faces at the United States Holocaust Memorial Museum......Page 34
3 Between Trauma and Nostalgia: Christian Boltanski’s Memorials and Art Spiegelman’s Maus......Page 60
4 Artifactual Witnessing as (Im)Possible Evidence......Page 90
5 The Provocation of Postmemories......Page 106
In Lieu of a Conclusion: Tender Rejections......Page 136
Notes......Page 146
Bibliography......Page 160
F......Page 170
M......Page 171
V......Page 172
Y......Page 173


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