Tree of Smoke is the 2007 National Book Award Winner for Fiction.
One of the New York Times 10 Best Books of the Year
Named a Best Book of the Year by Time , The Washington Post , The Boston Globe , ChicagoTribune , San Francisco Chronicle, Amazon.com, Salon , Slate , The National Book Critics Circle, _The Christian Science Monitor. . . .
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Tree of Smoke is the story of William "Skip" Sands, CIA--engaged in Pschological Operations against the Vietcong--and the disasters that befall him. It is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert and into a war where the line between disinformation and delusion has blurred away. In the words of Michiko Kakutani in The New York Times , Tree of Smoke is "bound to become one of the classic works of literature produced by that tragic and uncannily familiar war."
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Amazon.com Review
Amazon Significant Seven, September 2007: Denis Johnson is one of those few great hopes of American writing, fully capable of pulling out a ground-changing masterpiece, as he did in 1992 with the now-legendary collection, Jesus' Son. Tree of Smoke showed every sign of being his "big book": 600+ pages, years in the making, with a grand subject (the Vietnam War). And in the reading it lives up to every promise. It's crowded with the desperate people, always short of salvation, who are Johnson's specialty, but despite every temptation of the Vietnam dreamscape it is relentlessly sober in its attention to on-the-ground details and the gradations of psychology. Not one of its 614 pages lacks a sentence or an observation that could set you back on your heels. This is the book Johnson fans have been waiting for--along with everybody else, whether they knew it or not. --Tom Nissley
From Publishers Weekly
Patton is a fine character actor. His performances in A Mighty Heart and Inventing the Abbotts made a notable presence in otherwise unremarkable roles. His reading of Johnson's baroque Vietnam novel, though, will probably not feature highly in future editions of his rΓ©sumΓ©. Johnson's tale of shadowy soldiers and spooks irrevocably changed by the unending war in Southeast Asia is rendered by Patton in a drill sergeant's muscular whisper, complete with carefully rendered impressions of charactersβAmerican, Filipino and Vietnameseβsome of which verge on parody. The effort and thought put into his reading is clear, but the results are underwhelming, bordering on unpleasant. Twenty-three hours of so mannered a performance begins to grate on the nerves, distracting from Johnson's otherwise engrossing novel.
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