Translating modernism : Fitzgerald and Hemingway
β Scribed by Ronald Berman
- Publisher
- University of Alabama Press
- Year
- 2009
- Tongue
- English
- Leaves
- 111
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
In this book the author continues his career long study of the ways that intellectual and philosophical ideas informed and transformed the work of America's major modernist writers. Here he shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, he addresses the idea of "translating" or "translation", for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cezanne. Though each writer had distinct interests and different intellectual problems to wrestle with, as is demonstrated in this work, both had to wrestle with transmuting some outside influence and making it their own. Read more... Content: Introduction: Landscapes and ideas -- Fitzgerald: American dreams -- Fitzgerald: American realities -- Fitzgerald's autobiographies -- Hemingway: thinking about CeΜzanne -- Hemingway's Michigan landscapes. Abstract: In this book the author continues his career long study of the ways that intellectual and philosophical ideas informed and transformed the work of America's major modernist writers. Here he shows how Fitzgerald and Hemingway wrestled with very specific intellectual, artistic, and psychological influences, influences particular to each writer, particular to the time in which they wrote, and which left distinctive marks on their entire oeuvres. Specifically, he addresses the idea of "translating" or "translation", for Fitzgerald the translation of ideas from Freud, Dewey, and James, among others; and for Hemingway the translation of visual modernism and composition, via Cezanne. Though each writer had distinct interests and different intellectual problems to wrestle with, as is demonstrated in this work, both had to wrestle with transmuting some outside influence and making it their own
β¦ Table of Contents
Contents......Page 8
Introduction: Landscapes and Ideas......Page 12
1. Fitzgerald: American Dreams......Page 24
2. Fitzgerald: American Realities......Page 37
3. Fitzgeraldβs Autobiographies......Page 50
4. Hemingway: Thinking about CΓ©zanne......Page 63
5. Hemingwayβs Michigan Landscapes......Page 75
Notes......Page 88
Selected Bibliography......Page 102
Index......Page 108
π SIMILAR VOLUMES
Both F. Scott Fitzgerald and Ernest Hemingway came into their own in the 1920s and did some of their best writing during that decade. In a series of interrelated essays, Ronald Berman considers an array of novels and short stories by both authors within the context of the decade's popular culture, p
Pt. 1. The search for home. St. Paul boy -- Fitzgerald's romance with the south -- Pt. 2: Love, money, and class. "This side of paradise": Fitzgerald's coming of age novel -- Possessions in "the Great Gatsby": Reading Gatsby closely -- The trouble with Nick: Reading Gatsby closely -- Money and marri
<p>F. Scott Fitzgerald and Ernest Hemingway might have been contemporaries, but our understanding of their work often rests on their distinctions. Hemingway wrestled with war, fraternity, and the violence of nature. Fitzgerald explored money and class and the pursuit of the elusive golden girl. Know
In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception and reality in the "age of jazz." By focusing specifically on aesthetics - the ways these
In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception and reality in the "age of jazz." By focusing specifically on aesthetics - the ways t