From Publishers Weekly
Cornwell's latest after the disappointing Blow Fly has indomitable medical examiner Kay Scarpetta returning to her office in Richmond five years after being fired. This homecoming will cheer fans: not only does the move put Scarpetta on her own turf, it reinvigorates Cornwell's storytelling, restoring some of the spunk lately lacking in her lead character. Dr. Joel Marcus, Scarpetta's replacement as Virginia's chief medical examiner, has summoned her back to help him puzzle through the mysterious death of a 14-year-old girl. Marcus is generally loathed: he's petty, inept, has a secret garbage-truck phobia and harbors an intense hatred for Scarpetta. Meanwhile, Scarpetta's niece Lucy, owner of a fabulously successful private-eye firm, has her own troubles trying to sort out who attempted to kill her friend Henri (short for Henrietta), who's now under psychiatric treatment by Scarpetta's lover in Aspen, Benton Wesley. Lurking in the background is Edgar Allan Pogue, a nutcase who has a thing for dead bodies and a grudge against Scarpetta. It's her job, as always, to connect all the puzzling forensic dots and identify the killer in time to save herself and her loved ones. She does this, mostly, but leaves the reader to puzzle out a few salient points on his or her own. Cumbersome backstory slows the action, but in general the old Scarpetta comes through, at least in the main, and this will be enough to reassure her many fans and carry them over until her next appearance. * BOMC, Literary Guild, Mystery Guild and Doubleday Book Club main selection*.
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From Booklist
Against advice from her niece Lucy, Kay Scarpetta answers a request to return to the Richmond medical examiner's office, the same office from which she was fired, to help with the sensitive case of a dead teen. When she and Pete Marino arrive, they find the new medical examiner to be a vituperative, uncooperative martinet and the office that Kay ran so efficiently in chaos. Two murders, oddly linked, demand their attention. In the meantime, Lucy, still unsettled despite her success with the Last Precinct investigative agency, is having personal problems (there's been an attack on her housemate), which strangely enough find her treading the same path as her aunt Kay. Traces of the smart, dynamic, yet vulnerable Scarpetta of the early novels are in evidence here, and Cornwell has better control of her plot and characters than in her last few efforts, faltering only occasionally when psychobabble weighs things down. The mystery is intriguing, there's plenty of forensic detail, and the ending, though perhaps too abrupt, opens the way for Scarpetta and her associates to proceed in any direction that calls to them. Stephanie Zvirin
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