Theophanies
β Scribed by Sarah Ghazal Ali
- Publisher
- Alice James Books
- Year
- 2024
- Tongue
- English
- Leaves
- 87
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Moving between the scriptures of the Qurβan and the Bible, these poems explore the complexities and spectacles of gender, faith, and family by unraveling the age-old idea that seeing is believing. Navigating both scripture and culture, the poems in Theophanies work to spin miracles from the mundanities of desire and violence. Through art and music, Pakistani history, and scriptural stories, these poems struggle to envision a true self and speak back against time to the matriarchs of the larger Abrahamic faiths, the mothers at the heart of sacred history Stitched through these poems is longingβfor mothers, angels, and signs from the divine. Theophanies asks: is seeing really believing, and is believing belonging? The speaker seeks to understand her own, bewildering βI,β to use it with reverence, and to mythologize herself and all mothers to ensure their survival in a male-dominated world hard at work erasing them In the absence of matrilineal elders in her family, the speaker turns to the archetypal βmother of nationsβ for whom she is named, Sarah, and her sent-away βsister,β Hajar. What does it mean to have a womanβs body when that body has been hailed a vessel for the divine? Theophanies arises from the speakerβs tenuous grip on her own faith while navigating the colonial legacy of Partition and inherited patriarchal expectations of womanhood.
π SIMILAR VOLUMES
Against the prevailing interpretation of theophanic imagery in Old Testament poetic texts as metaphor for divine power, this book argues that such texts are best interpreted as fully mythic re-applications of the Chaoskampf myth in a Yahwistic context.
<p>The imagery of thunder and lightning, fire and earthquake which attends YHWH's theophany in Old Testament poetic texts has most often been interpreted as a series of metaphors in biblical scholarship. This work applies insights from recent work in metaphor theory and myth theory to argue that thi