β Scribed by Benjamin Sobieck
No coin nor oath required. For personal study only.
When it comes to writing weapons, most authors shoot from the hip--and miss. The Writer's Guide to Weapons will help you hit your target every time.
Firearms and knives have starring roles in a wide range of genres--crime, thriller, war, mystery, Western, and more. Unfortunately, many depictions of weapons in novels and film are pure fiction. Knowing the difference between a shotshell and a slug, a pistol and a revolver, or a switchblade and a butterfly knife is essential for imbuing your story with authenticity--and gaining popularity with discerning readers.
Inside you'll find:
π SIMILAR VOLUMES
When it comes to writing fiction, emotion is key. In order to capture the reader's empathy and allegiance, you must convey character emotion effectively. The Emotion Thesaurus is a tool that enables you to accomplish this by* highlighting 75 universal emotions and the internal and external cues asso
For the writer and anyone else interested in Renaissance England (1485-1649), this remarkable resource covers the day-to-day details: fashions, food, customs, family life, the Royal Court, law and punishment, holidays, city and rural living, seafaring and land occupations, alehouses, marriage, birth
Grimm Afelnor, the youngest Mage Questor in Arnor House, has sworn to expunge the stain from his reviled family name. Grimm's arduous first Quest with his best friend, Dalquist, seems simple enough at first: to retrieve a magical gem from a magic-using Baron. Along the way, Grimm has to kill a man,
Making readers care and feel like they're part of the story should be the number one goal of all writers. Ironically, many storytellers fail to maximize one of fiction's most powerful elements to achieve this: the setting. Rather than being a simple backdrop against which events unfold, every locati
Readers connect to characters with depth, ones who have experienced life's ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimately--not only who they are in the present story, but also what made them that way. Of all the formative experiences i
Readers connect to characters with depth, ones who have experienced lifeβs ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimatelyβnot only who they are in the present story, but also what made them that way. Of all the formative experiences in