<P>Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? </P> <P>Lindsey Mooreβs groundbreaking book demonstrates ways in which women appropriate textual a
The Woman In The Muslin Mask: Veiling and Identity in Postcolonial Literature
β Scribed by Daphne Grace
- Year
- 2004
- Tongue
- English
- Leaves
- 267
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Western feminists have in the past singled out the veiling of women as a potent symbol of womenβs oppression under Islam. Daphne Grace explores the far more complex and contested role of veiling over the last 120 years. Looking at the ways in which the veil is used in literature, and its representations in writing from the East and the West, she shows how veiling has come to stand for both oppression and resistance. Grace asks why, at the start of the new millennium, veiling seems more popular than ever β and explores what veiling means for the women themselves.Chapters are arranged geographically and chronologically, beginning with the 'imperial gaze' of Victorian England, moving to the Arab Islamic world of the Middle East and the Maghreb and finally to India, in the process exploring the nationalist, religious, political and cultural meanings of the veil in its many manifestations, then and now.
β¦ Table of Contents
Contents......Page 6
List of Illustrations......Page 7
Acknowledgements......Page 8
1 Background to the Veil: History, Theory and Culture......Page 9
2 Imagining Veiled Woman......Page 45
3 Revealing and Re- veiling: Egypt......Page 75
4 Piety and Patriarchy: The Arabian Peninsula and the Eastern Mediterranean......Page 108
5 Violence, Liberation and Resistance: North Africa......Page 136
6 Subversion, Seduction and Shame: India......Page 168
7 Conclusion: Liberating the Veil......Page 210
Notes......Page 226
Bibliography......Page 249
Index......Page 262
π SIMILAR VOLUMES
Secularism and the Crisis of Minority Identity in Postcolonial Literature examines how writers from religious and ethnic minority communities (Anglo-Indians, Burghers, Dalits, Muslims, and Parsis) in India and Sri Lanka engage secularism through novels, short stories, and autobiographies. Given the
<span>Literary fiction has always provided an outlet for social and political critique. In the writing of key North African women authors, the dissection of Maghrebi society is at the very heart of the narratives. Here, Abdelkader Cheref charts the rise of postcolonial literature written by women fr
Literary fiction has always provided an outlet for social and political critique. In the writing of key North African women authors, the dissection of Maghrebi society is at the very heart of the narratives. Here, Abdelkader Cheref charts the rise of postcolonial literature written by women from the
<p>Discussing a variety of postcolonial narratives written by women, Lionnet offers a comparative feminist approach that can provide common ground for debates on such issues as multiculturalism, universalism, and relativism.</p>
<p>This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's <i>A Suitable Boy</i>,