β Scribed by E L Doctorow
No coin nor oath required. For personal study only.
Each novel by Doctorow is an entirely different experience, a journey of the imagination into hitherto uncharted territory. The Waterworks , set in the corrupt but hideously exciting New York of the decade following the Civil War, is the strangest such journey yet. The narrator, an elderly newspaperman named McIlvaine, recalls the bizarre events surrounding the disappearance of one of his paper's best freelance writers in 1871. Martin Pemberton was the son of Augustus Pemberton, a brutal, cunning man who had made a fortune as a war profiteer, then died, leaving his family mysteriously penniless. Martin was convinced he had seen his father alive, in a coach in the company of other old men; then Martin vanished. McIlvaine interests the municipal police, in the person of odd, incorruptible Captain Edmund Donne, and together they ferret out a weird scheme in which aging millionaires have paid the brilliant, cold-blooded Dr. Sartorius to preserve their lives in a state of suspended animation. The tale has the brightly lit intensity and surreality of a dream, heightened by McIlvaine's halting, amazed narration; and such is the power of Doctorow's imagination that the very city itself, its burgeoning modernity, its huge machines, its febrile citizenry, seems to become a major actor in the drama. World's Fair and Billy Bathgate were both given a human dimension by their child's-eye point of view. Here Doctorow is taking a larger risk by placing the reader at a much greater distance from the events and subduing his contemporary sensibility in favor of a wonderfully convincing 19th-century angle of vision. It is as if Edgar Allan Poe and Henry James had somehow combined their incompatible geniuses to bring this profoundly haunting fable to life.
Copyright 1994 Reed Business Information, Inc.
YA?Newspaper editor McIlvaine investigates the disappearance of freelance journalist Martin Pemberton and uncovers a macabre scientific experiment that involves Pemberton's supposedly dead father and several other wealthy old men. The narrative's digressions contain the heart of the novel: Doctorow's presentation of New York in 1871 as impacted by the Industrial Revolution and the corruption of Boss Tweed's government. Although the book is not overly long, its complexity of diction will deter all but the most erudite YAs. Those who persevere will gain insights into journalism, post-Civil War society, and political corruption while considering the implications of medical experimentation, then and now.?Arlene Bathgate, Chantilly High School, VA
Copyright 1995 Reed Business Information, Inc.
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βAn elegant page-turner of nineteenth-century detective fiction.ββThe Washington Post Book WorldOne rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. Whi
"An elegant page-turner of nineteenth-century detective fiction." \--The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried
βAn elegant page-turner of nineteenth-century detective fiction.β βThe Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried fathe
EDITORIAL REVIEW: An elegant page-turner of nineteenth-century detective fiction.The Washington Post Book WorldOne rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead an
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