โ Scribed by T. S. Eliot
No coin nor oath required. For personal study only.
Few readers need any introduction to the work of the most influential poet of the twentieth century. In addition to the title poem, this selecion includes "The Love Song of J. Alfred Prufrock", "Gerontion", "Ash Wednesday", and other poems from Mr. Eliot's early and middle work.
"In ten years' time," wrote Edmund Wilson in Axel0s Castle (1931), "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948 Mr. Eliot was awarded the Nobel Prize "for his work as trail-blazing pioneer of modern poetry".
Classic Literature
๐ SIMILAR VOLUMES
EDITORIAL REVIEW: "April is the cruelist month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring dull roots with spring rain." This is the first line of T. S. Eliot's most famous poem, "Wasteland". His next offering, "The Love Song of J. Alfred Prufrock" repeats, "In the
The world of T.S. Eliot and his poetry -- Introduction by Randy Malamud -- Prufrock and other observations (1917) -- Poems 1920 -- The waste land (1922) -- Endnotes -- Inspired by T.S. Eliot and The Waste Land -- Comments & questions.
The world of T.S. Eliot and his poetry -- Introduction by Randy Malamud -- Prufrock and other observations (1917) -- Poems 1920 -- The waste land (1922) -- Endnotes -- Inspired by T.S. Eliot and The Waste Land -- Comments & questions.
EDITORIAL REVIEW: "April is the cruelist month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring dull roots with spring rain." This is the first line of T. S. Eliot's most famous poem, "Wasteland". His next offering, "The Love Song of J. Alfred Prufrock" repeats, "In the
EDITORIAL REVIEW: "April is the cruelist month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring dull roots with spring rain." This is the first line of T. S. Eliot's most famous poem, "Wasteland". His next offering, "The Love Song of J. Alfred Prufrock" repeats, "In the
### Amazon.com Review After sitting through T.S. Eliot's reading of "The Waste Land," listeners may be inclined to hang up the earphones for a spell. There are no flaws to Eliot's steady-toned interpretation; in fact, his delivery is quite remarkable in its ability to match the poem's constant, som