β Scribed by Simon Brett
No coin nor oath required. For personal study only.
Grant and Kim Roxby had hoped that their first dinner party at Pelling House would make an impression with their new neighbours. And the next day it's certainly the talk of the town of Fedborough. For their guests - including the couple's old friend Jude - had been enjoying a pleasant meal when they were rudely interrupted by a gruesome discovery. A human torso hidden in the cellar. In this third instalment of the Fethering mystery series, Carole and Jude find themselves turning amateur sleuths once again. They soon begin to question the locals, but they can't help wondering why a town so notoriously distrustful of outsiders is proving so terribly amenable to their enquiries . . .
π SIMILAR VOLUMES
In the historic village of Fedborough, Jude attends a dinner party for the new homeowners of Pelling House. But an uninvited guest - in the form of a mummified, armless and legless torso - has crashed the party. There's no telling how long the dead body has been in the cellar, or even who it once wa
EDITORIAL REVIEW: βThe scenes in which Huss tracks her killer through the underbelly of Copenhagen are as good as Louise Welshβs similarly creepy tour of Glasgow in \*The Cutting Room.\*ββ\*Entertainment Weekly\* β[Tursten] is a master at setting the scene, detailing a foreign milieu unti
βThe scenes in which Huss tracks her killer through the underbelly of Copenhagen are as good as Louise Welshβs similarly creepy tour of Glasgow in _The Cutting Room._ ββ _Entertainment Weekly_ β[Tursten] is a master at setting the scene, detailing a foreign milieu until it feels familiar. She j
"The scenes in which Huss tracks her killer through the underbelly of Copenhagen are as good as Louise Welsh's similarly creepy tour of Glasgow in _The Cutting Room._ "--_Entertainment Weekly_ "[Tursten] is a master at setting the scene, detailing a foreign milieu until it feels familiar. She
EDITORIAL REVIEW: βThe scenes in which Huss tracks her killer through the underbelly of Copenhagen are as good as Louise Welshβs similarly creepy tour of Glasgow in \*The Cutting Room.\*ββ\*Entertainment Weekly\* β[Tursten] is a master at setting the scene, detailing a foreign milieu until
EDITORIAL REVIEW: βThe scenes in which Huss tracks her killer through the underbelly of Copenhagen are as good as Louise Welshβs similarly creepy tour of Glasgow in \*The Cutting Room.\*ββ\*Entertainment Weekly\* β[Tursten] is a master at setting the scene, detailing a foreign milieu unti