The pretty young prostitute is dead. Her alleged murderera minister's sonhanged himself in his jail cell. The case is closed. But the dead girl's fatherhas come to Matthew Scudder for answers, sending the unlicensed private investigator in search of terrible truths about a life that was lived and lost in a sordid world of perversion and pleasures.
Block's most famous creation, the ever-evolving Matthew Scudder, was introduced in 1976's The Sins of the Fathers as an alcoholic ex-cop working as an unlicensed private investigator in Hell's Kitchen. Originally published as paperbacks, the early novels are interchangeable; the second and third entriesIn the Midst of Death (1976) and Time to Murder and Create (1977)were written in the opposite order. 1982's 8 Million Ways to Die (filmed in 1986 by Hal Ashby, with unpopular results) breaks from that trend, concluding with Scudder introducing himself at an Alcoholics Anonymous meeting. The series was set to end on that note, but an idle promise Block had made to supply an editor friend with an original Scudder short resulted in "By the Dawn's Early Light", a story set during the character's drinking days, but told from the perspective of a recovering alcoholic. Block expanded on that with 1986's When the Sacred Ginmill Closes (named for a line in a song by folk singer Dave Van Ronk, a close friend), which proved not only one of the more literary entries, but also a favorite of the author and his fans. From then on, Scudder's circumstances rarely remain the same from one book to the next; 1990's A Ticket to the Boneyard, for example, reunites him with Elaine Mardell, a hooker from his days on the force, whom he marries several books later. Other fan favorites are 1991's taut, gruesome A Dance at the Slaughterhouse (winner of the Edgar Award for Best [mystery] Novel), and 1993's A Long Line of Dead Men, a tightly-plotted puzzler featuring a rapidly dwindling fraternity known as the "Club of 31". The seventeenth entry, A Drop of the Hard Stuff was published in May, 2011.
It has been suggested that Scudder's struggle with alcoholism is in part autobiographical; while Block has repeatedly refused to discuss the subject, citing AA's own tradition of anonymity, in a column he wrote for Writer's Digest, Block wrote that when he created Scudder, "I let him hang out in the same saloon where I spent a great deal of my own time. I was drinking pretty heavily around that time, and I made him a pretty heavy drinker, too. I drank whiskey, sometimes mixing it with coffee. So did Scudder."