The Poetics of Poetry Film: Film Poetry, Videopoetry, Lyric Voice, Reflection
✍ Scribed by Sarah Tremlett
- Publisher
- Intellect Books Ltd
- Year
- 2021
- Tongue
- English
- Leaves
- 414
- Category
- Library
No coin nor oath required. For personal study only.
✦ Synopsis
Set to generate discussions in the field for years to come, The Poetics of Poetry Film is an encyclopedic work on the ever-evolving art of the poetry film. Poetry films are a genre of short film usually involving three main elements: the poem as verbal message, the moving film image and diegetic sounds, and additional non-diegetic sounds or music, which create a soundscape. In this book, Sarah Tremlett examines the formal characteristics of the poetic in poetry film, film poetry, and videopoetry, particularly in relation to lyric voice and time.
Tremlett sets the emergence and history of poetry film in its proper global context, defining and debating terms both philosophically and materially. Showcasing the work of an international array of practitioners, The Poetics of Poetry Film includes interviews, analysis, and a rigorous investigation of the history of the genre, from its origins to the present. This is an industry bible for anyone interested in poetry, digital media, filmmaking, art, and creative writing, as well as poetry filmmakers.
✦ Table of Contents
Front Cover
Half Title
Frontier spices
Copyright information
Dedication
Epigraph
Table of contents
Illustrations
Foreword
Preface
Introduction: Poetry, Song, Philosophy – The Combined Lyric Aesthetic
Illuminated Verse
The Figurative Visual Poem
Philosophy through Poetry: China and the Lyric Aesthetic in Poetry and Painting
Part One Form and Structure
Part Two Artists' Voices
Contemporary Pioneers
George Aguilar
Q & A with Matt Mullins, Abridged from Atticus Review, 20132
Enzo Minarelli: No Cinderella – Sound (and Text) in Video Sound Poetry
Polypoetry
The Sound in Videopoetry
Rhythm from Sound
Polypoetry and Videopoetry
Meditations on Time
Video Sound Poetry
Loss, Memory, Spectacle, Redemption: A Hermeneutic Approach to Dier’s Videopoem Todos esos momentos se perderan (All Those Mome
Tom Konyves
VideoBardo
Peter Todd: Screening the Experimental Poetry Film
Example of Peter Todd’s Curation and Notes for Film Poems 4, ‘Messages’
Valerie LeBlanc and Daniel H. Dugas: The Early Years – Text and the Cityscape
The First Video Poetry Series
Visible Verse6
Heather Haley
ZEBRA and the View from Here
Thomas Zandegiacomo del Bel
ZEBRA
Selected Entries from Asia, Australia, East Europe, France, Italy and Russia
Australian Poetry Films
Bulgarian Poetry Films
Burmese Poetry Film
Chinese Poetry Film
Croatian Poetry Films
Estonian Poetry Films
French Poetry Films
Hungarian Poetry Films
Italian Poetry Films
Lithuanian Poetry Films
New Zealand Poetry Films
Polish Poetry Films
Russian Poetry Films
Taiwanese Poetry Films
Interview with Zata Banks: Poetry Film and the Experimental Logophile
Gabriele Labanauskaite10
Why Combine Music and Poetry
Influences
Searching
Interview with Dave Bonta: Talking Animals, Bridging Language Barriers
Interview with Alastair Cook: Place and Haptic Making
Your Voice: La Plage / Abachan / Scene / Amerika (The Man Who Disappeared)
Early films: Use of the Cut
Interview with Marc Neys: Resolving Time, Resolving Space
Notes
Making
Notes on Nothing in the Garden
Chaucer Cameron
Notes on Poem for Rent
Marie Craven
The Book of Hours: A Collaborative Online Poetry Film Project between a Spoken Word Poet and Poetry Film-Makers
General Notes on Practice
Ian Gibbins
The Flicker Film and the Videopoem3
Proem: To Brooklyn Bridge – Animating Poetry and Research-Led Creation4
Foley by Foley, Frame by Frame
Kate Jessop
Grab ‘em by the Poiesis: The Jouissey Play of Vispoetics
Adeena Karasick
Some Notes on My Video Poems
Martha McCollough
The Rhythms of the Literal and Subtextual in Individual and Collaborative Poetry Films
Matt Mullins
Adele Myers: Two Contrasting Versions of a Dance-based Poetry Film
Poetic Sound
Two Poets and a Camera
Poets on the Stage with Video
Caleb Parkin and Helmie Stil: A Marriage of Poet and Film-Maker
Filming
Writing The Desktop Metaphor
Caleb Parkin
The Desktop Metaphor
Live Cinema
Interview with Dave Richardson: Unchartered Terrain – The Personal Within
The Internet Archive
Music First for Kali Exorcism
Opening Up Imaginary Spaces
Notes
Poetry Film and Videopoetry in Portugal and Spain: Alive and Thriving
Alexandre Braga
Eduardo Yagüe
Tarha Erena
Alejandro Céspedes
Celia Parra
Jordan T. Caylor
Belén Gache
Santiago Parres
Agustín Fernández Mallo
David Argüelles Redondo
Ángel Guinda and Sándor M. Salas
Experimental Poetry in Argentina from the 1960s to the 1990s: Political Voice and Prefiguring the Turn to Digital Literature a
Liberated Words: Developing a Poetry Film Festival and Workshops
Butterflies Haven Workshop
Ecopoet
Digital Artist and Film-Maker
Note
Part Three Selected Narrative Forms
Collections
Interview with John D. Scott: How the Observer Sees – Elizabeth Bishop and the Art of Losing
Time and Change: One Poet, One Theme, Several Voices
One Poem, Many Translations
One Poet (with Additional Poets), Many Film-Makers
One Film-Maker, Many Poets
Many Poets, Many Film-Makers
Collection as Ancestral Life Writing
Notes
Text-on-Screen
The Imaginative Leap
Kinetic, Concrete or Pattern Poetry
Text and Image no Voice: State of Mind
Text Blocks Image as Aphoristic Statement
Graffiti and Street Signs
Notes
Video Haiku and Video Haiga
Haiku as Length of Shot
Japanese Aesthetics in the Art of Poetry Film
A Documentary Approach to Poetry Film
War and Diaspora
YouTube Footage
Capturing Place
Found Footage: Capturing a Nostalgia for the Past
Dance and Movement
Dance and Multiple Selves
Dance and Relationships
‘Mother as Camera’: A Discussion of Sarah Tremlett’s Dance
Dancing Political
Dance as Translating Health
The Ecopoetry Film
Notes on My Ecopoetics
Janet Lees
Helen Moore and Howard Vause
Interview with Helen Moore: ECOZOA and a Deep Interconnection with All Species
Sound and Double Images
Voice(s)
Expanded Sense of Self and Interconnection
Time and Space
Time in Layers
Sketching
Visual Verse
Poetry Films
Overview
Examples of Leading Poetry Film Festivals
References
Artists and Authors Index
Back Cover
📜 SIMILAR VOLUMES
Folk riddles, emblems, charms, and chants are a few of the traditional forms examined by Andrew Welsh to discover the means by which poetic language achieves its powerful effects. His book shows how the roots of lyric are embodied in primitive verse forms, how they are raised to higher powers in poe
<p>Folk riddles, emblems, charms, and chants are a few of the traditional forms examined by Andrew Welsh to discover the means by which poetic language achieves its powerful effects. His book shows how the roots of lyric are embodied in primitive verse forms, how they are raised to higher powers in
<p><span>The book description for the previously published "Roots of Lyric: Primitive Poetry and Modern Poetics" is not yet available.</span></p>
<p>Morris re-evaluates Nabokov's poetry and demonstrates that poetry was in fact central to his identity as an author and was the source of his distinctive authorial - lyric - voice.</p>
<div></div><P>For more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. In this pioneering book